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NO PERFECT PLACES

An emotional story of familial ties.

Twin siblings Olly and Alex Brucke face personal demons when their incarcerated father passes away.

The summer before their senior year of high school, Olly and Alex’s well-known tech CEO father dies from a heart attack while still in prison. But before he dies, he tells Olly not to tell his sister about their secret half brother. Tyler Dell, who is two years older than the twins, sent a letter that Olly intercepted and kept from his sister. A year later, Alex is mired in an abusive relationship with a rich-boy drug dealer, and while Olly is coping, he’s still tangled in his father’s lies. The narrative, which alternates between the two siblings, tackles big themes, mostly with a light hand. The twins must wrestle with the injustice of the prison system while also confronting their father’s guilt and their family’s White privilege. They also have to reconcile loving their father with the fact that he committed fraud, evaded taxes, and embezzled funds and was emotionally abusive toward their mother. Olly’s gender identity and sexuality are included seamlessly, not the focus of the story but making a genuine impact. However, the intimate details of Olly and his boyfriend Khalid Zaid’s sex life shift the tone and feel like they were dropped in from another book. This intense, dramatic novel that explores complicated relationships, coping with adversity, and the fallout of keeping secrets will appeal to readers who enjoy character-driven stories.

An emotional story of familial ties. (map) (Fiction. 14-18)

Pub Date: May 30, 2023

ISBN: 9781547611072

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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  • Kirkus Reviews'
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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