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THE PEOPLE’S TYCOON

HENRY FORD AND THE AMERICAN CENTURY

A smoothly written, comprehensive life of a man at once complex and superficial—truly an icon of the modern age.

Hailed in Nazi Germany and Soviet Russia, Henry Ford was “an American icon”—and, argues historian Watts, the principal architect of American consumer culture.

Born on a Michigan farm in 1863, Ford did not want for much; the crops were good, and his mother imparted to him a Victorian ethic that “forged a creed combining Protestant moralism, market individualism, the work ethic, and genteel restraint.” The McGuffey Readers did their part, too, as did Thomas Edison, whom Ford met after having developed a prototype car in 1896. Edison approved of his design, exclaiming, “Your car is self-contained—it carries its own power-plant—no fire, no boiler, no smoke, no steam. You have the thing. Keep at it.” Ford took from Edison a certainty that technology could yield social good and wealth by improving the lot of the workers, as well as reinforcement for his own views on the virtues of hard work and frugality. He eventually turned social engineer, using some of his immense wealth to fund anti-tobacco and anti-alcohol crusades, all in the name of good business and efficiency; he once remarked that he would never hire a manager who looked to be worn or in bad shape, reckoning that such a fellow would use Ford’s money as poorly as he did his own body. About the time Ford’s business practices—don’t allow unions, but pay well, and the like—were being lauded in totalitarian Germany and Leninist Russia as the face of the industrial future, Ford expanded his extracurricular interests to include railing against Jews; as with his adoption of fad diets and spiritualist causes, Watts observes, Ford “offered a mishmash of half-digested concepts and visceral intuitions, rather than systematic analysis, so his social and cultural speculations did not probe very deeply.” Deeply enough, though, to lose market share and political influence—and to have his name forever associated with despicable causes as much as remembered for his very real achievements.

A smoothly written, comprehensive life of a man at once complex and superficial—truly an icon of the modern age.

Pub Date: Aug. 15, 2005

ISBN: 0-375-40735-9

Page Count: 608

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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