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STEALING CANDY

Just don’t think.

When Candy is literally stolen from her snooty New England boarding school, she knows something the kidnappers don’t: her rock-star dad is not going to ransom her.

The white teen’s mother’s been dead for years, but her father, aging rock star Wade Rex, never stepped in to fill the void, instead first fobbing her off on her emotionally distant grandmother and then dumping her in boarding school. So rather than trying to escape her kidnappers, Candy allies with them. From the outset, Candy’s appallingly privileged narration grates. Despite her “poor little rich girl” back story, she fails to ingratiate herself with readers. She is terrified of black kidnapper Jamal, scarred and with “half-dead” eyes, but she finds herself increasingly drawn to white Levon, of the luminous green eyes, soft hands, and “creamy and smooth” skin. The situation is also wildly implausible, starting with Candy’s ability to get her HD mini handheld camera out of her back pocket and use it unnoticed while wearing a ski mask on backwards and with her hands taped. Candy and Levon easily become partners in the deal when Jamal departs after an unlikely confrontation. Levon has reasons for his actions that Candy thinks are valid, and she has no fondness for—really, only one happy memory of—her father. For readers who can get past Candy’s unpleasant self-presentation and the narrative’s equally unpleasant stereotyping and who are interested in escapism, this will do the trick. Right down to the last scene readers will find enough implied steaminess, threatening violence, and sob stories to make pulses race.

Just don’t think. (Thriller. 14-18)

Pub Date: May 2, 2017

ISBN: 978-1-4926-3888-9

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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