In this smart, entertaining sci-fi tale, conflict between men and women has reached interplanetary proportions.
Lange (We, Robots, 2010, etc.) begins her tale in the year 3011 on the planet of Coney Island, to which the women of Earth decamped when they realized, in the 22nd century, that “men just would not behave.” Coney Island is a peaceful world of vegetarianism and high culture, while back on Earth wars rage and resources dwindle. The titular heroine, though, longs for adventure; she’s a swaggering, Han Solo-type pilot who loves her wife and daughters but hates being tied down. When the men of Earth put forth a desperate plea for reunification, Tritcheon Hash is the natural choice to determine whether they’ve earned a second chance. Once Tritcheon lands on Earth, she’s drawn into a halting affair with an Earth man and a dilemma over how to deal with the rapidly, and sadly, deteriorating planet—each Earth dawn brings a display of electric lights in lieu of sunshine that has long been blocked out by a haze of atmospheric trash. Environmental and gender issues loom large, but they add purpose and direction to the novel rather than weighing it down. Though Tritcheon doesn’t come fully to life—her true desires and motivations remain elusive, which keeps the novel from packing the emotional punch that it might have—her story is well worth reading for Lange’s insightful narrative and glittering prose. The author breezes melodically through stretches of invented language—“lighterator,” “melly-melly,” “mechanobroom”—and her easy, humorous approach to profound topics (as well as her fondness for churlish artificial intelligence) is reminiscent of Douglas Adams’ work. Logical lapses and stilted dialogue crop up occasionally, but Lange’s wit and sharp sense of metaphor make up for them; of Tritcheon’s “vindictive nature,” Lange writes, “She didn’t necessarily live for revenge; she just savored it a little on cold, lonely nights.” Against a vivid sci-fi backdrop, Lange brings a light touch to heavy material, with a fast-paced, funny story to boot.
Pub Date: Nov. 23, 2011
ISBN: 978-1611381030
Page Count: 275
Publisher: Book View Café
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 15, 2011
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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