Although Roe has created an informed and graceful narrative, fresh sources or insights would have greatly enriched the book.
The history of a revolutionary decade in modern art.
Art historian Roe (The Private Lives of the Impressionists, 2006, etc.) investigates the intersection of lives and cross-fertilization of the arts in Montmartre, beginning in 1900, when Picasso first arrived, and ending in 1911, when radical reconstruction began in the storied neighborhood of shacks and cafes. Her colorful narrative includes scores of painters and the gallery owners who promoted them; dancers, such as the Duncan siblings, Nijinsky and Serge Lifar; fashion designers Paul Poiret and Charles Worth; and a host of writers, notably Gertrude Stein, Apollinaire and Max Jacob. Picasso, Matisse, Braque, Derain and Vlaminck take center stage, but as in Roger Shattuck’s classic The Banquet Years (1955), many others populate the scene. Because Roe draws on histories of the period and biographies of the major figures, much information may be familiar to readers: Picasso’s painting of Stein’s portrait, for example; his rivalry with Matisse; Matisse’s marital problems; and artists’ discovery of African art. Roe contends that Picasso first found ethnic sculpture “disgusting; they reminded him of the fusty old bits of bric-a-brac for sale at the flea market.” African art came to influence him intensely, but Roe hardly explains why other than to suggest that the artifacts “made him think about—perhaps even identify with—the people who had made them and their motives for doing so.” The author is strongest in conveying social history: the gritty reality of the Bateau-Lavoir, with its “creaking floorboards beaten by winter storms and splintered by summer heat,” where many artists made their homes; the intricate ballet of their friendships and romantic liaisons; their frustrations in exhibiting and selling their work.
Although Roe has created an informed and graceful narrative, fresh sources or insights would have greatly enriched the book.Pub Date: April 21, 2015
ISBN: 978-1-59420-495-1
Page Count: 352
Publisher: Penguin Press
Review Posted Online: Feb. 4, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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