An engaging courtroom tale, despite an uneven mashup of genres.
In this sequel, the badly managed trial of a wealthy young lawyer for the rape and attempted murder of a former prostitute forces a reclusive attorney to return to Los Angeles.
It was a bear of a case. Not only was the accused the son of one of LA’s most respected lawyers, but there were problems with the victim’s story. After the rape, during which Kelly Luthan said she slashed White Jr. with a knife, she drove herself directly to the district attorney’s office, not stopping for any medical care. Deputy District Attorney Sarah Cartwright immediately filed charges and obtained an indictment against White Jr., even before the investigation was completed. Then she resigned from the DA’s office and went off to parts unknown. Now, the case is in the eager hands of a relative novice, Katelyn Kruz. Notwithstanding her initial court success convincing the judge to deny White Jr. bail, Katelyn is out of her depth against the legal eagles assembled by Richard White Sr. Jack Wayne, a senior member of the DA’s Sexual Assault Team, suspects his boss, a close friend of White Sr., has quietly ordered Katelyn not be given any assistance by the group’s more seasoned prosecutors. Jack meets with LA Police Department Detective Jones, the only one who knows Sarah’s whereabouts, and tells him the case will tank if she doesn’t return to help Katelyn. Augustine's (A Brush with Love, a Brush with the Law, 2014) experience as an attorney gives the courtroom proceedings some substance. The section dealing with jury selection is especially intriguing. The bulk of this romance novel/legal thriller hybrid deals with Sarah’s and Kelly’s complicated personal dramas, and some high-action danger adds unexpected excitement. Sarah and her husband, David Nolan, were introduced in the author’s debut. But Augustine is stingy with catch-up information, making it difficult for readers to assess the complicated relationships between White Jr., Sarah, Kelly, and David. In an endnote, the author coyly suggests that readers turn to the earlier book to test the accuracy of their assumptions about Sarah. Cute, but irritating.
An engaging courtroom tale, despite an uneven mashup of genres.Pub Date: Dec. 10, 2020
ISBN: N/A
Page Count: 240
Publisher: Kurti Publishing
Review Posted Online: April 4, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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