Irresistible animals star in this sublime coming-of-age tale.
In this debut fantasy, a kitten searches for her place in life while facing malevolent adversaries on a farm.
Grey is born in a barn on Black Mountain Farm. She’s barely a few weeks old when her mother leaves to live in the nearby woods, with Grey’s brother and sister not far behind. But the farm overflows with vibrant animals, some of whom believe the striking kitten is special (“The kitten’s gray fur, with its black- and sand-colored stripes, was spectacular”). Miss Jay the Bird becomes Grey’s guardian and convinces her to flaunt her feline pipes at “the Phoenix Club,” the farm’s monthly talent show. But at the same time, a sinister presence emerges. A Black Widow surrenders to the red Hourglass on her back, which develops an awareness and a voice all its own. This wicked duo obsesses over control and manipulates animals into spying on others in the mountainous region. When the two rope Grey into their scheme, the kitten seeks help from Miss Jay and some wise, magical wildlife. As Grey plans an inevitable confrontation with the Widow and the Hourglass, she learns a lot about who she is and where she wishes to be. Nilsson’s brisk, charming series opener boasts a memorable, mostly animal cast. She lovingly describes each character, such as Biggie the Deer, who likes moonshine perhaps a bit too much, and well-meaning but naïve Jack the Donkey, the Widow’s first “recruit.” Fox’s stunning illustrations further elevate these characters; highlights include Grey’s ride in a cup atop Biggie’s antlers and the recurring image of the Widow’s huge, ominous shadow. While magic permeates the narrative, from talking trees to the Hourglass’ terrifying ability, the story primarily centers on zealous Grey. She yearns to be more than a barn cat and discovers she’s capable of great deeds. Her journey not only carries this story, but also ends with a perfect setup for the sequel.
Irresistible animals star in this sublime coming-of-age tale.Pub Date: Aug. 3, 2021
ISBN: 978-1-954401-00-6
Page Count: 256
Publisher: Loodor Publishing
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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