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THE DINOSAUR MAN

TALES OF MADNESS AND ENCHANTMENT FROM THE BACK WARD

Like Oliver Sacks, psychologist Baur (Hypochondria: Woeful Imaginings, 1988) writes with clear empathy for those afflicted with mental illness. The Dinosaur Man of the title has been a schizophrenic patient in the chronic, or ``back,'' ward of a mental hospital for 37 years; not mentioned in the title or subtitle is the other category of patients the author writes about—outpatients with less debilitating disorders who live their troubled lives outside institutional walls but inside their private hells. While other members of the hospital's professional staff direct their efforts to getting the back ward patients to behave in an acceptable manner, usually with medications, Baur focuses on understanding and valuing, even loving, them. She listens carefully to the Dinosaur Man's fantastic delusions, initially to try to interpret them but soon abandoning that goal in favor of becoming a participant—or, in her words, an accomplice, a cameraman. She stores and sorts various fragmented memories, trying to help him- -and other patients—reconstruct their pasts so that they may live with their presents. No miracles, no sudden ``awakenings'' are reported here. The Dinosaur Man remains a chronic schizophrenic; there are changes, however, in Baur's perceptions of schizophrenia, and doubtless one goal of her book is to change others' perceptions as well. Comes close to being a voyeuristic trip through a sideshow but is saved by the author's genuine concern for those whose afflictions she describes.

Pub Date: July 31, 1991

ISBN: 0-06-016538-3

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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