This debut novel telling the story of a real medieval princess illuminates the lives of the rich and powerful and reveals the virtual imprisonment of wealthy women in an era that many romanticize. Joan was the daughter of Eleanor of Aquitaine and Henry II of England, sister to Richard the Lionheart and wife of William the Good of Sicily. She tries in vain to be a good wife, and after William’s death she goes on crusade with her brother. Although Coventry follows the history of Joan as well as it is known, she necessarily imagines much of her subject’s life for the novel. The author handles characterizations quite well; Joan, especially, but also Richard, William and other interesting figures appear lively and true. An appealing historical-romance novel, however, may be as imprisoned as Joan in the details presented, even for medieval-history buffs. The author seems to be writing two books: Joan’s story and a fact-by-fact history of the internecine wars involving the Plantagenet family. Nevertheless, it’s an impressive first effort and an interesting story. (Historical fiction. YA)
Pub Date: June 8, 2010
ISBN: 978-0-8050-8992-9
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Jan. 4, 2011
Kirkus Reviews Issue: May 1, 2010
BOOK REVIEW
BOOK REVIEW
Stellar and haunting.
Ignoring things won’t make them go away.
Told in nonlinear chapters, the story follows Owen, a bisexual high schooler from small-town Pennsylvania who is on the autism spectrum. Owen is raped by someone he knows intimately while on the school’s annual trip for seniors. Covering for the perpetrator causes stress across many areas of Owen’s life, from his relationship with his ex-military father—a man who is not proactively addressing his PTSD—to his friends and his girlfriend, Lily. Once the rapist’s identity is discovered, the novel follows Owen in the immediate aftermath of the assault. The story is superbly told, and readers will be simultaneously on the edges of their seats as the narrative slowly draws closer to revealing the rapist’s identity and saddened by the waves of emotional and physical abuse Owen endures as he attempts to make the sexual assault investigation disappear. Other themes, such as Owen’s slow emergence from the closet and the milestone of his driver’s license, add additional complexity and humanity in support of the main storyline. Book clubs and discussion groups will have a lot to ponder. Backmatter directing readers to sexual assault resources would have elevated the title even further. The main characters are White; there is diversity in the supporting cast.
Stellar and haunting. (author’s note) (Fiction. 14-18)Pub Date: Oct. 12, 2021
ISBN: 978-1-64567-332-3
Page Count: 368
Publisher: Page Street
Review Posted Online: July 12, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
PERSPECTIVES
PROFILES
Broadly appealing and free of the melodrama often associated with half-this, half-that issue books.
Schisms abound in the life of a half-black, white-passing, Jewish teen in New York City.
Since her parents separated, 15-year-old Nevaeh and her mother, who is deeply depressed, have lived in Harlem with her mother’s family, headed by her Baptist pastor grandfather. Not to be pushed out, her religiously unobservant father has set Nevaeh up with a rabbi to prepare for a slightly belated bat mitzvah. But rather than help Nevaeh feel more connected to her Jewish heritage, having to study Torah with elementary schoolers just adds to the disjointedness in her life. Her black cousins think she doesn’t understand their struggles, and wealthy kids at her fancy school treat her with derision. Her best friend, Stevie, is the one person who gets her, but when she starts dating Jesus, a neighborhood boy (his name’s pronounced the Spanish way—and there is not enough angst or Jewish humor paid to that irony), and spending more time pursuing a new passion, poetry, tensions arise. Sophomore year is fraught for Nevaeh, and for the most part debut author Díaz wields it smoothly, save for one forced plot device in the form of her mother’s old diary. In Díaz’ skillful hands, the many aspects of Nevaeh's intersectional identity are woven together so that they are, as in real life, inextricable from each other.
Broadly appealing and free of the melodrama often associated with half-this, half-that issue books. (author’s note) (Fiction. 14-18)Pub Date: Aug. 20, 2019
ISBN: 978-0-525-57823-9
Page Count: 384
Publisher: Delacorte
Review Posted Online: June 4, 2019
Kirkus Reviews Issue: July 1, 2019
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