An undeniably audacious, if self-consciously Southwest Gothic debut that fans of Cormac McCarthy should adore.
In Froderberg’s highly stylized, uniquely voiced first novel, a young bride’s growing disillusionment about her marriage coincides with the drought plaguing her Arizona community.
Seventeen-year-old Girl, whose briefly sketched, quickly forgotten parents have left her pretty much on her own, marries Son, the heir to a successful rancher, after a short, passionate courtship. Son’s mother and father, called Rose and Rose’s Daddy, are loving in-laws and their ranch was a paradise of fecundity in its time, as Rose’s Daddy explains in elaborate recitations. But a drought has set in, both physical and spiritual. Without water, the local economy is in a tailspin. The ranch sits above an aquifer, and in the past Rose’s Daddy has made a fortune selling off water. But now he is struggling. Son is soon leaving Girl to drink and entertain other women, in particular the daughter of his father’s longtime mistress Pearl. Deeply religious Rose withers away and dies, but not before she’s introduced Girl to Padre, a New Age minister. Son’s father sinks into a deep depression, ultimately committing suicide. Son’s mourning takes the form of profound anger and even wilder carousing. Girl seeks counsel from Padre, on whom she develops a profound and requited crush. She moves off the farm and stays briefly with Pearl’s father while Pearl and her mother are “north,” where Pearl is preparing to give birth, possibly to Son’s child, an irony since Girl has an abortion. But Son begs Girl to return to him and together they prepare for the big rodeo. The church burns down, and Padre moves on to another parish. Son is thrown from his horse, sustaining major neurogenic injuries that leave him with a ruined face and completely dependent on Girl. And then the rains come. Realism is not the point in Girl’s elliptical narrative, told in a vernacular that mixes biblical grandiosity and down-home grit.
An undeniably audacious, if self-consciously Southwest Gothic debut that fans of Cormac McCarthy should adore.Pub Date: Dec. 9, 2010
ISBN: 978-0-316-09877-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.
Powers’ (Orfeo, 2014, etc.) 12th novel is a masterpiece of operatic proportions, involving nine central characters and more than half a century of American life.
In this work, Powers takes on the subject of nature, or our relationship to nature, as filtered through the lens of environmental activism, although at its heart the book is after more existential concerns. As is the case with much of Powers’ fiction, it takes shape slowly—first in a pastiche of narratives establishing the characters (a psychologist, an undergraduate who died briefly but was revived, a paraplegic computer game designer, a homeless vet), and then in the kaleidoscopic ways these individuals come together and break apart. “We all travel the Milky Way together, trees and men,” Powers writes, quoting the naturalist John Muir. “In every walk with nature one receives far more than he seeks.” The idea is important because what Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves. Nick, for instance, continues a project begun by his grandfather to take repeated photographs of a single chestnut tree, “one a month for seventy-six years.” Pat, a visionary botanist, discovers how trees communicate with one another only to be discredited and then, a generation later, reaffirmed. What links the characters is survival—the survival of both trees and human beings. The bulk of the action unfolds during the timber wars of the late 1990s, as the characters coalesce on the Pacific coast to save old-growth sequoia from logging concerns. For Powers, however, political or environmental activism becomes a filter through which to consider the connectedness of all things—not only the human lives he portrays in often painfully intricate dimensions, but also the biosphere, both virtual and natural. “The world starts here,” Powers insists. “This is the merest beginning. Life can do anything. You have no idea.”
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.Pub Date: April 3, 2018
ISBN: 978-0-393-63552-2
Page Count: 512
Publisher: Norton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
SEEN & HEARD
An unusual and stylish story of love and murder—less a mystery than a study of emotions and cultural mores.
In Japan, a daughter explores the crime of passion that took her mother’s life.
Sumiko was just 7 when her mother died and her father moved away; she was raised by her grandfather, who has always maintained that her mother was killed in a car accident. Twenty years later, she answers a phone call meant for him from a prison administrator with information about inmate Kaitarō Nakamura; when the caller realizes whom she is speaking with, she hangs up. With just this detail, Sumiko begins an obsessive quest. She turns up an article headlined “WAKARESASEYA AGENT GOES TOO FAR?” from which she learns that Kaitarō Nakamura was an agent in the “marriage breakup” industry. He was hired by her father to seduce her mother in order to provide grounds for divorce. Nakamura claims that he and her mother had fallen in love and were about to start a new life together. When Sumiko visits Nakamura's defense attorney, the woman hands over all her files and videotaped interviews with her client. Weaving through the story of Sumiko’s search and her recollections of her childhood is the story of her mother and her lover, from the moment he pretended to meet her accidentally at the market and moving inexorably to the murder scene. Scott is a Singaporean British writer born and raised in Southeast Asia; her debut is inspired by a 2010 case in Tokyo and based on years of research. The book proceeds slowly, lingering on enjoyable details of Japanese landscape and food but perhaps not adding enough new information to maintain the level of interest set by the sensational details in the first pages.
An unusual and stylish story of love and murder—less a mystery than a study of emotions and cultural mores.Pub Date: April 21, 2020
ISBN: 978-0-385-54470-2
Page Count: 352
Publisher: Doubleday
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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