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RACECHANGES

WHITE SKIN, BLACK FACE IN AMERICAN CULTURE

Synthesizing the remarkable work over the last 15 years of scores of cultural historians, theorists, and critics who have been engaged in documenting and analyzing the ubiquitous legacy of blackface minstrelsy and racial posing in 20th-century American culture, Gubar has assembled a comprehensive catalog of cross-racial iconography. The paradox that despite our preoccupations with social divisions by race, the identities and psychologies of black and white Americans are inextricably interdependent is nowhere more evident than in modern popular culture. Gubar, coauthor with Sandra Gilbert of a groundbreaking work of feminist literary criticism, The Madwoman in the Attic (1979), examines the pervasive role of cross-racial impersonation in the development of American melodrama (beginning with Uncle Tom's Cabin) and musical theater, motion pictures (D.W. Griffith's Birth of a Nation and Al Jolson's The Jazz Singer), popular radio shows (Amos 'n' Andy), and new journalism (John Howard Griffith's 1960 study Black Like Me), as well as in European experimental literature, painting, and photography. She also clearly identifies the ethical issue at the center: ``How can white people understand or sympathize with African-Americans without distorting or usurping their perspective?'' Of course, who is the subject and the object of the gaze has a great deal to do with whether the act of ``racechange'' is transgressive or regressive, but there are persistent ambiguities in the act. Gubar appreciates and articulates multilayered complexities and ironies that evolve along with American cultural expression, although occasionally she comes up with an interpretation that seems overdetermined. Gubar addresses the major issue of why potentially liberating acts of racial masquerade so often end up serving racist ends and are only now being used to envision postracist ways of being and seeing. This is an important book for the way it highlights an active but underacknowledged field of cultural inquiry, and a study bound to prompt further debate. (96 photos, not seen)

Pub Date: May 1, 1997

ISBN: 0-19-511002-1

Page Count: 336

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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HOW TO FIGHT ANTI-SEMITISM

A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.

Known for her often contentious perspectives, New York Times opinion writer Weiss battles societal Jewish intolerance through lucid prose and a linear playbook of remedies.

While she was vividly aware of anti-Semitism throughout her life, the reality of the problem hit home when an active shooter stormed a Pittsburgh synagogue where her family regularly met for morning services and where she became a bat mitzvah years earlier. The massacre that ensued there further spurred her outrage and passionate activism. She writes that European Jews face a three-pronged threat in contemporary society, where physical, moral, and political fears of mounting violence are putting their general safety in jeopardy. She believes that Americans live in an era when “the lunatic fringe has gone mainstream” and Jews have been forced to become “a people apart.” With palpable frustration, she adroitly assesses the origins of anti-Semitism and how its prevalence is increasing through more discreet portals such as internet self-radicalization. Furthermore, the erosion of civility and tolerance and the demonization of minorities continue via the “casual racism” of political figures like Donald Trump. Following densely political discourses on Zionism and radical Islam, the author offers a list of bullet-point solutions focused on using behavioral and personal action items—individual accountability, active involvement, building community, loving neighbors, etc.—to help stem the tide of anti-Semitism. Weiss sounds a clarion call to Jewish readers who share her growing angst as well as non-Jewish Americans who wish to arm themselves with the knowledge and intellectual tools to combat marginalization and defuse and disavow trends of dehumanizing behavior. “Call it out,” she writes. “Especially when it’s hard.” At the core of the text is the author’s concern for the health and safety of American citizens, and she encourages anyone “who loves freedom and seeks to protect it” to join with her in vigorous activism.

A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.

Pub Date: Sept. 10, 2019

ISBN: 978-0-593-13605-8

Page Count: 224

Publisher: Crown

Review Posted Online: Aug. 22, 2019

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THE VIRTUES OF AGING

A heartfelt if somewhat unsurprising view of old age by the former president. Carter (Living Faith, 1996, etc.) succinctly evaluates the evolution and current status of federal policies concerning the elderly (including a balanced appraisal of the difficulties facing the Social Security system). He also meditates, while drawing heavily on autobiographical anecdotes, on the possibilities for exploration and intellectual and spiritual growth in old age. There are few lightning bolts to dazzle in his prescriptions (cultivate family ties; pursue the restorative pleasures of hobbies and socially minded activities). Yet the warmth and frankness of Carter’s remarks prove disarming. Given its brevity, the work is more of a call to senior citizens to reconsider how best to live life than it is a guide to any of the details involved.

Pub Date: Oct. 26, 1998

ISBN: 0-345-42592-8

Page Count: 96

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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