For fans of Howe’s poetry and readers fascinated by artistic process.
Accomplished New England poet Howe (Sorting Facts, or Nineteen Ways of Looking at Marker, 2013, etc.) channels her personal story through a series of singular creative sources.
A meandering excursus on the work and correspondence of Wallace Stevens marks the first essay in this hodgepodge collection. From her perch in Guilford, Connecticut, Howe found that Stevens’ depiction of the icy Hartford landscape in “The Snow Man” resonated perfectly with the February chill at the quarry where she walked. In his correspondence of the 1940s and ’50s, Stevens recalled the fondness he held for his early Harvard philosophy professor (and former poet) George Santayana, who in turn cherished the thinking of Spinoza for the “courage, firmness and sincerity with which he reconciled his heart to the truth.” As the nonchronological essays unfold, Howe peppers them with extracts from the writings of early Connecticut observers such as Henry David Thoreau and the ten “unusually tall” sisters of Jonathan Edwards, as well as his widow, Sarah, which brought the author solace at the time of the abrupt death of her husband, Peter Hare, in 2008. Earlier access to Yale’s Sterling Library yielded rich research in the work of the Rev. Hope Atherton and meteorologist Charles Sanders Peirce, among other deceased local souls, allowing Howe to “take my life as a poet from their lips, their vocalisms, their breath.” In the long, tedious essay “Sorting Facts,” Howe examines the work of French documentary filmmaker and photographer Chris Marker, while “Frame Structures” returns to the history of Buffalo, where the author (b. 1937) lived early on as a child. Ultimately, this collection is a kind of working notebook for the poet to explore her research—e.g., on Melville or Ad Reinhardt—and it provides a window to her sources and inspiration.
For fans of Howe’s poetry and readers fascinated by artistic process.Pub Date: Nov. 17, 2015
ISBN: 978-0-8112-2246-4
Page Count: 224
Publisher: New Directions
Review Posted Online: Aug. 31, 2015
Kirkus Reviews Issue: Sept. 15, 2015
A superb book about doing his job by a master of his craft.
The renowned writer offers advice on information-gathering and nonfiction composition.
The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.
A superb book about doing his job by a master of his craft.Pub Date: Sept. 5, 2017
ISBN: 978-0-374-14274-2
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.
The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.).
Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who’s propositioned, via phone, by married family friend Mrs. Midland (“Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands”). Only years later is it divulged that “Mrs. Midland” was impersonated by Lou’s 12-year-old daughter Amy. (Lou, to the prankster’s relief, always politely declined Mrs. Midland’s overtures.) Meanwhile, Mrs. Sedaris—soon after she’s put a beloved sick cat to sleep—is terrorized by bogus reports of a “miraculous new cure for feline leukemia,” all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender (“Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?”). After months of this, Sedaris finds that the first French-spoken sentiment he’s fully understood has been directed to him by his sadistic teacher: “Every day spent with you is like having a cesarean section.” Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in New York restaurants (“I’m always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable”); the appending of company Web addresses to television commercials (“Who really wants to know more about Procter & Gamble?”); and a scatological dilemma that would likely remain taboo in most households.
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.Pub Date: June 1, 2000
ISBN: 0-316-77772-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
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