An affable memoir of superficial interest to those grappling with the Mailer mystique.
Norman Mailer’s daughter writes about her relationship with him.
“I had been born [in 1949] to a man who became a celebrity at the age of twenty-five,” writes the author, a psychoanalyst based in Santiago, Chile. In this subdued, reflective memoir about her famous author father, Norman (1923-2007), she psychoanalyzes herself as she offers up a conflicted portrait of their relationship. Her father married six times and had numerous affairs and nine children. It was all part of the “Mailer routine. One in, the other out.” He was always busy writing or enjoying his boisterous public image and didn’t have much time for his children. Her story, told in dry, lackluster prose, is about trying to find herself while under the large and imposing shadow of her father. When she was 8, he told her he “hadn’t really loved me when I was born.” Susan was hurt and developed a “tough-kid persona.” Her early years were spent in New York, with her father, and in Mexico, with her mother, Bea, whom Norman divorced in 1952. The author loved her life with her mother and new father, and she enjoyed school and learning Spanish. Eventually, she would marry happily and have children. She writes about her father’s drinking and pot smoking in the 1960s, his mood swings, and the “The Trouble”—when he stabbed his second wife, Adele, twice with a penknife. The author also discusses her father’s work. An American Dream both “repelled” and “fascinated” her. The Armies of the Night was “a brilliant piece of journalism and an innovative experiment.” The Executioner’s Song, her favorite, “blew me away.” While watching him edit his film Maidstone, she felt like an “unwilling witness” to his “sexual fantasies.” The author fondly recalls her annual visits to the Big House in Provincetown, Massachusetts, where the large Mailer family gathered and where her dying father sought forgiveness.
An affable memoir of superficial interest to those grappling with the Mailer mystique.Pub Date: Nov. 5, 2019
ISBN: 978-1-937997-99-1
Page Count: 304
Publisher: Northampton House
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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