by Susan McElroy Montanari ; illustrated by Brian Pinkney ‧ RELEASE DATE: Oct. 2, 2018
Though it’s far from lulling, it’s well worth the risk of a prolonged bedtime. The glee it provokes will surely be worth it
With dance moves and beats that soothe, splashed with swirling lines and colors displayed in array—this picture-book tale is a fun-filled hip-hop hooray!
Montanari blends energetic rhythm with toe-tapping rhymes in her happy narrative of little Lollipop’s love of hip-hop and dance. “Mama says, ‘Time for bed. / Bed.’ / Lollie’s arms overhead. / Dancing down the long hall. / Bouncing off the tall wall.” But getting a bouncy ball of raw stamina down for bedtime is harder than you think. Pinkney’s swooping lines and whooshes of color enliven the story. Depicting dancing pets that arc and sway in time to the cadence of the rhymes, Pinkney amply demonstrates his mastery of visual narrative. He adds an almost abstract quality with his use of line, using pastel colors to suggest outlines of furniture and then transforming them seamlessly into sheer motion in a smart, refreshing way, playing with perspective while showing totally realistic joy on the characters’ charmingly rich, brown faces. Montanari has penned a read-aloud treat that is sure to enhance the nighttime ritual. However, caregivers shouldn’t be surprised if their little ones decide this bedtime story deserves backup dancers.
Though it’s far from lulling, it’s well worth the risk of a prolonged bedtime. The glee it provokes will surely be worth it . (Picture book. 3-7)Pub Date: Oct. 2, 2018
ISBN: 978-1-101-93482-1
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Idina Menzel & Cara Mentzel ; illustrated by Jaclyn Sinquett ‧ RELEASE DATE: Sept. 27, 2022
A muddled message shoots for the moon but never quite gets all the way off the ground.
A little mouse experiences BIG changes thanks to a spectacular talent.
Dee’s a singer to her core. She croons absolutely everywhere, so when her teacher Miss Pink suggests that her students bring in something that symbolizes what they enjoy doing, Dee brings in a song. As she sings it, however, her joy causes her to physically grow huge! At first this makes her feel special, but as the day goes on she feels lonely and out of place. Shrinking back to her normal size, she worries that this means she can never sing again. But thanks to the encouragement of her mother and little sister, she realizes that being special is nothing to be ashamed of. However, though her classmates have skills of their own, only Dee changes, indicating that some talents are more transformative than others. After all, while everyone is enthralled by Dee, Ren the turtle’s talent for drawing a replica of a space station is something he “made everyone watch.” The true standout in this show comes from Sinquett’s dynamic art, capable of encompassing the emotional highs and lows of elementary school kids. (This book was reviewed digitally.)
A muddled message shoots for the moon but never quite gets all the way off the ground. (Picture book. 3-6)Pub Date: Sept. 27, 2022
ISBN: 978-1-368-07806-1
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Cara Mentzel & Idina Menzel ; illustrated by Jaclyn Sinquett
by Susan Lendroth ; illustrated by Priscilla Burris ‧ RELEASE DATE: March 13, 2018
Lendroth brings the right ingredients, offering a tale that challenges gender stereotypes and showcases an intergenerational...
An exuberant young girl finds her match in taiko drumming.
A whirlwind of energy, Natsumi often hears the words, “Not so fast” or “hard” or “loud” from her family. When she worries her boisterous actions always lead to mistakes, her grandfather finds the perfect outlet: taiko. On stage, Natsumi pounds the large, barrel-shaped drums—their thundering boom an extension of her enthusiastic spirit. Like Kevin Henkes with his water pistol–toting Lilly, Lendroth offers a charming character who defies traditional gender associations. However, her choice to place this modern story in a “village” is interesting. Cultural festivals such as the one she describes are experienced by Japanese-Americans today, and the United States has a thriving taiko or kumidaiko scene, yet Americans do not typically refer to their small towns or rural locations as villages. Acknowledgement that the setting is in Japan in the tale’s initial setup would have been helpful, as it establishes an entirely different lens for readers. Digital art, made to look like marker drawings, are colored in a mostly pastel palette. Unfortunately, while the artist is capable of including more interest and detail in her illustrations, as in her Five Green and Speckled Frogs (2003), she fails to give these characters and setting the specificity she gave generic animals.
Lendroth brings the right ingredients, offering a tale that challenges gender stereotypes and showcases an intergenerational bond, but overall, it’s a disappointing execution to a promising start. (Picture book. 3-7)Pub Date: March 13, 2018
ISBN: 978-0-399-17090-4
Page Count: 32
Publisher: Putnam
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Susan Lendroth ; illustrated by Kate Endle
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