Almost as painful to read about as it is to experience, which is both a complaint and a compliment.
A middle-aged New York writer loses herself to romantic obsession with a handsome musician.
Loving someone who doesn’t love you is bad. Everyone in Ivy Cooper’s life keeps telling her that, and at 52, divorced from the father of her young son, now fixated on a younger man named Ansel Fleming who explicitly rejects any possibility of commitment from day one, she doesn’t really need to be told. And it doesn’t matter anyway because she’s a goner, as fatally obsessed as any bunny-boiling love addict in life or literature. Minot is an elegant writer, her sentences and paragraphs stylishly cropped, her dialogue quotation mark–free, her epigraphs chosen from classic sources: Rilke, Emerson, Lao Tzu, Oscar Wilde, Henry James, Rumi. In pellucid prose she captures each of the emotional states Ivy cycles through on the roller coaster of erotic fascination, delusion, bliss, mania, devastation—while also buffeted by the emotions and responsibilities of motherhood and of a career as a writer. While its individual parts are spare and polished, as a whole the book is ungainly. It’s divided into three sections, each of which has three chapters. The last section, which occurs after we have the sense that we already know everything we need to know, begins with an overly arty chapter about seeking help in “the rooms”—the Brown Room, Pink Room, Red Room, White Room, etc.—revealed to be a therapist’s office, yoga studio, 12-step meeting room, movie theater, lecture hall. In the next chapter, Ivy’s son has a brush with a very serious illness, an inherently suspenseful topic, but which at this point raises the question, “What are we doing here?” When the final chapter begins with, “She felt she ought to be at the end of this by now. She looked back and saw that what she had thought was close to the end was more like only halfway through the middle,” it’s almost as if author and reader are sharing a private joke.
Almost as painful to read about as it is to experience, which is both a complaint and a compliment.Pub Date: Oct. 15, 2024
ISBN: 9780593802441
Page Count: 320
Publisher: Knopf
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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