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REPRESENTATIVE MOM

BALANCING BUDGETS, BILL, AND BABY IN THE U.S. CONGRESS

An intriguing if predictable autobiography by one of the most powerful politicians to have emerged in the past decade, now host of a CBS-TV morning show. Moving from a directionless college grad to being the youngest person ever elected to the New York City Council to a position of leadership in the US Congress, Molinari has been, as she notes, very much “a young woman in a hurry.” Yet she exhibits—and makes a point of the fact here—an ordinariness that both makes her appealing and disguises her intelligence and determination. Born and raised in Staten Island, the daughter of Gus Molinari, whose congressional seat she eventually took over, she became an effective advocate for both the needs and values of that borough. Most entertaining here are her stories of the battles she waged, as the only Republican on the New York City Council, on behalf of her constituents. How she did so, the political strategies and compromises along the way, are the types of detail that make of this book more than simply self-promoting fluff. As a congressional representative, she continued her independent ways. A feminist and pro-choice, she became a “player” in a Republican Party increasingly hostile to both positions. Ideologically unpredictable, she played the political game as well as anyone, never losing the down-to-earth image that made her enormously appealing. Her detailed analysis of the enigma that is Newt Gingrich offers some true insights into the man. We do not, however, get much more than a surface impression of Molinari herself, the contradictions of her political beliefs, the source of her obvious driving ambition. She plays too much on her image of normalcy when she is in many ways anything but normal. The writing talents of Elinor Burkett (The Right Women, p. 90, etc.) no doubt add much to this above-average autobiography. Self-serving in many ways, the book still has much to offer as an examination of how US politics really works. (16 b&w photos, not seen) (Author tour)

Pub Date: May 1, 1998

ISBN: 0-385-49220-0

Page Count: 356

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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