These ingenious and lovable stories crack open the world.
Tragedies big and small are faced with indomitable wit in 12 stories.
The subjects of Perabo’s (The Broken Places, 2001, etc.) stories range from the slightly dark to the really tough. On the lighter side: middle school students blackmail their teacher after witnessing her messing around with the principal; a child gives her stuffed armadillo the name of her mother’s ex-lover; a lonely woman’s one good friend announces plans to leave town. At the blacker end, there’s a story that begins “My mother was thrilled to be dying of brain cancer after a lifetime of smoking.” Or “The boy fell from the balcony sometime between 2:00 and 4:00 in the morning.” Both of those stories—in fact, each of the stories about death in the book—use metafictional elements in a way reminiscent of George Saunders, to illuminate the function of story in our lives, its power and its helplessness. In “Story Goes,” which gives The Fault in Our Stars a run for its money in the voice department, a teenage cancer patient tries to help a friend commit suicide. “If you close your eyes and listen very hard you can actually hear, through years and miles, my 15-year-old brain creaking forward like a long dormant watermill while I process this massive amount of new and confusing information.” Perabo’s facility with teenage narrators also shines in “Treasure,” about a plane crash witnessed from a high school football field and a good crush gone bad. “If life really can be compared to a hand of cards, I’m fairly certain that those cards remain facedown until sixth or seventh grade and only then do you get to turn them over and see who you actually are.” Stealth wisdom is the hallmark of this collection, hiding in each piece like the prize in a Cracker Jack box. As a former bike racer tells his catastrophizing friend in the title story, “Everybody gets to be a little pathetic. But you can’t have more than your share, or there’s not enough to go around. You can’t be a hog about it.”
Pub Date: Feb. 16, 2016
ISBN: 978-1-4767-6143-5
Page Count: 195
Publisher: Simon & Schuster
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
A luminous novel about the deep value of telling stories.
Two strangers are unknowingly connected by a rare manuscript.
Maxwell Moreau, born to a pirate father and a Dominican immigrant mother in New Orleans in 1920, has a childhood in which he is surrounded by his parents’ stories. His mother, Adana Moreau, learns to read in English with Maxwell at her side. She writes a well-received science fiction novel, Lost City, but becomes gravely ill before finishing the sequel, A Model Earth; she and Maxwell burn the manuscript before she dies . The pirate travels north in search of work, and Maxwell is effectively an orphan when his father fails to meet him as planned in Chicago. Nearly 80 years later, a man named Saul is grieving the death of his grandfather, his only family after his parents were killed in a terrorist attack in Israel. Shortly before dying, his grandfather had asked Saul to mail a package for him to someone named Maxwell Moreau at a university in Chile. When the package is returned some time later, Saul takes on the task of finding Maxwell, now a well-known physicist who theorizes about parallel universes, to give him the papers inside—the same manuscript Adana Moreau had burned so many years earlier—and fulfill his grandfather’s last request. This search takes Saul and his friend Javier to New Orleans just after Hurricane Katrina, and the two reflect on their friendship and Saul’s grandfather’s work as a historian as Javier documents the extensive loss of life in an effort to bear witness. Zapata’s debut novel is a wonderful merging of adventure with thoughtful but urgent meditations on time, history, and surviving tragedy. The characters are richly drawn, and the prose is striking: “They drove east, back the way they had come, and the road seemed to take on an extra-temporal quality, like they were traveling backward in time. We’re already meeting ourselves coming the other way, he thought as the Cadillac sped on and on and on.”
A luminous novel about the deep value of telling stories.Pub Date: Feb. 4, 2020
ISBN: 978-1-335-01012-4
Page Count: 272
Publisher: Hanover Square Press
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
There are more than enough quotable lines to fill a couple of reviews.
Berg’s debut is set in an age when telephones were novel.
If you want to make a phone call in 1952, you’ll lift the receiver and hear an operator say “Number, please.” And if you live in Wooster, Ohio, that operator might well be Vivian Dalton. She’ll listen in on your conversation even though she knows she shouldn’t, always hoping to hear “something scandalous.” Her Pawpy had advised “Just don’t get caught,” but her dead granny’s advice (ignored) was better: “Be careful what you wish for.” Vivian wishes for gossip about rich Betty Miller, whose “life was always perfectly in place,” but Betty has a delicious secret about Edward Dalton that’s sure to ruin Vivian’s life. Vivian never finished high school and frets that her bright teenage daughter, Charlotte, will exceed her in life. The narrative is sprinkled with dictionary definitions of fancy words Vivian doesn’t know, like “privy” and “myriad.” She thinks the school has assigned pornography to Charlotte when she sees The Myth of Sisyphus and thinks it’s about syphilis. Meanwhile, Betty is ever so full of herself because her father owns a bank and the ladies of Wooster always accept her written invitations. She briefly considers calling her Christmas party “Savior’s Celebratory Soirée.” Then she hosts a special afternoon tea to reveal the news about Vivian’s husband to a group of ladies “well versed in the art of displaying false concern.” Berg’s storytelling is warm, sympathetic, and witty—Vivian's "fear had eaten her common sense like it was a casserole,” and her “rage had melted and cooled a little into a hardened shell of shame and humiliation.” Vivian hires a private investigator to look into her husband’s past and consequently deletes chocolate from all her recipes. (Well, it makes sense to her.)
There are more than enough quotable lines to fill a couple of reviews.Pub Date: March 10, 2020
ISBN: 978-0-06-297894-3
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
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