An entertaining shell game of a novel.
An unsophisticated intern at a fashion magazine fears her new, wealthy mentor may be a con artist.
Rigetti’s entertaining first novel lays out how easily a grifter can take advantage of the system—and the naïve. And no one seems to be a better target for a con artist than unsophisticated would-be writer Lora Ricci from Allentown, Pennsylvania. Lora has just started an internship at glamorous Elle magazine in Manhattan, but she feels overwhelmed. She has failed her courses at NYU and is hiding her lost scholarship from her parents, and she knows she’s at a disadvantage compared to the other trust fund–fueled interns around her. Then she meets charismatic contributing editor Cat Wolff, heiress to an Austrian billionaire’s fortune, who offers her an opportunity that seems too good to be true. She invites Lora to move into her huge suite at the Plaza Hotel so that Lora can ghostwrite short stories for her, a plan that will surely catapult them to a lucrative literary contract. A savvier writer might balk at such a ridiculous suggestion—trying to climb the literary ladder is hardly the best way to access instant wealth—but the plan sounds plausible to the increasingly desperate Lora, who doesn’t know what to do when her internship ends. Meanwhile, readers know something that Lora does not: Rigetti reveals from the start of this clever, fast-paced book that Cat is not all that she seems. The novel’s opening pages consist of an FBI transcript, and Rigetti tells the story using a variety of ephemera—journal entries, Instagram posts, texts—to heighten the mystery as Lora begins to question Cat’s motives and actions. This isn’t a book to take too seriously, but the crafty Rigetti makes fraud a lot of fun.
An entertaining shell game of a novel.Pub Date: April 5, 2022
ISBN: 978-0-06-307205-3
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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