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THIS IS WHAT IT SOUNDS LIKE

WHAT THE MUSIC YOU LOVE SAYS ABOUT YOU

An intriguing look at how what enters our ears shapes our minds.

Liberace or Lyle Lovett? What we listen to speaks volumes about us.

In this blend of neuroscience and audiophilia, Rogers, who describes herself as “one of the very few successful female record producers in the profoundly male-dominated industry,” has spent a lot of time thinking about the meaning of listening to music. One of her great conversation starters is a “record pull,” asking the person or people you’re with to play their favorite tunes and, in turn, putting yours on the table in a fearless exercise in “self-discovery.” The records you offer have predictive value. For example, if you like David Bowie, you might like Lou Reed—whom Rogers declined to work with on the grounds that she was a little too methodical for the improvisational project he had in mind. Writing with neuroscientist Ogas, Rogers identifies seven dimensions that shape our understanding and appreciation of music, four of them musical (melody, lyrics, rhythm, and timbre) and three “aesthetic” (authenticity, realism, and novelty). Some are obvious: The songs we walk away humming or dancing to catch us in just the right way. The aesthetic dimensions are subtler. On the matter of authenticity, Rogers holds up the example of the supremely horrible band the Shaggs, who made up in fearlessness what they couldn’t muster in musical skill (“Incompetence. Embarrassing, unsalvageable, breathtaking incompetence”). Interestingly, Rogers argues that nature and nurture play roles in determining musical taste. We have a certain genetic propensity for some kinds of music, but more to the point, it’s experience and exposure that help shape our tolerance for novelty (Zappa or Stockhausen, anyone?) and desire for believability (Hank Williams versus, say, Milli Vanilli). Refreshingly, Rogers urges that we rid ourselves of snobbery, for musical taste is broadly various: “It is the limitless diversity of listener profiles that fuels the infinitely rich art form we love.”

An intriguing look at how what enters our ears shapes our minds.

Pub Date: Sept. 20, 2022

ISBN: 978-0-393-54125-0

Page Count: 288

Publisher: Norton

Review Posted Online: June 14, 2022

Kirkus Reviews Issue: July 15, 2022

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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THE CULTURE MAP

BREAKING THROUGH THE INVISIBLE BOUNDARIES OF GLOBAL BUSINESS

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

A helpful guide to working effectively with people from other cultures.

“The sad truth is that the vast majority of managers who conduct business internationally have little understanding about how culture is impacting their work,” writes Meyer, a professor at INSEAD, an international business school. Yet they face a wider array of work styles than ever before in dealing with clients, suppliers and colleagues from around the world. When is it best to speak or stay quiet? What is the role of the leader in the room? When working with foreign business people, failing to take cultural differences into account can lead to frustration, misunderstanding or worse. Based on research and her experiences teaching cross-cultural behaviors to executive students, the author examines a handful of key areas. Among others, they include communicating (Anglo-Saxons are explicit; Asians communicate implicitly, requiring listeners to read between the lines), developing a sense of trust (Brazilians do it over long lunches), and decision-making (Germans rely on consensus, Americans on one decider). In each area, the author provides a “culture map scale” that positions behaviors in more than 20 countries along a continuum, allowing readers to anticipate the preferences of individuals from a particular country: Do they like direct or indirect negative feedback? Are they rigid or flexible regarding deadlines? Do they favor verbal or written commitments? And so on. Meyer discusses managers who have faced perplexing situations, such as knowledgeable team members who fail to speak up in meetings or Indians who offer a puzzling half-shake, half-nod of the head. Cultural differences—not personality quirks—are the motivating factors behind many behavioral styles. Depending on our cultures, we understand the world in a particular way, find certain arguments persuasive or lacking merit, and consider some ways of making decisions or measuring time natural and others quite strange.

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

Pub Date: May 27, 2014

ISBN: 978-1-61039-250-1

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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