by Susan Ronald ‧ RELEASE DATE: March 14, 2023
Highly readable drama of highborn traitors who enthusiastically aided the Nazi ascent to power.
A character-driven chronicle of the numerous British and American elites who abetted Hitler’s efforts to seize and maintain power.
Many of these names (the Mitford sisters, Sir Oswald Mosley) will be well known to students of fascist history. However, British American biographer Ronald, author of Hitler’s Art Thief, among other books, capably unearths the efforts of dozens of others who helped pave the way for getting Hitler’s “big lie” accepted by so many. The inability to accept Germany’s defeat in World War I and the ramifications of the punitive Treaty of Versailles fed the fantasy that the old order of ruptured aristocracies could be restored. Shady characters with aristocratic ties—e.g., Ernst “Putzi” Sedgwick von Hanfstaengl, a German American businessman and “Nazi English-speaking foreign press service,” and Princess Stephanie zu Hohenlohe-Waldenburg-Schillingsfürst, a wily spy and monarchist—acted as Hitler’s go-betweens in wooing the British and American upper crust to advocate for the Nazi regime, write favorable stories about Hitler, and infiltrate the embassies. Putzi coached Hitler on his rhetoric, while Princess Stephanie enlisted the favors of Harold Harmsworth, Lord Rothermere, the British press baron, and got Hitler to appoint Joachim von Ribbentrop as head of the German foreign office in England. In this keen study, Ronald emphasizes the shocking extent to which American corporations like Du Pont and General Motors supported the pro-German fascist groups in the U.S., not to mention the behind-the-scenes support of Hitler’s own “alchemists” like I.G. Farben. The biggest-name sympathizers were, of course, the Duke and Duchess of Windsor, ultimately exiled by Churchill to govern the Bahamas to keep them out of mischief. Even Martha Dodd, the daughter of William Dodd, the fervently anti-Nazi American ambassador to Germany, was seduced by the Nazi machine, and she went on to become an unrepentant spy.
Highly readable drama of highborn traitors who enthusiastically aided the Nazi ascent to power.Pub Date: March 14, 2023
ISBN: 9781250276551
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 21, 2022
Kirkus Reviews Issue: Dec. 15, 2022
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by Fredrik deBoer ‧ RELEASE DATE: Sept. 5, 2023
Deliberately provocative, with much for left-inclined activists to ponder.
A wide-ranging critique of leftist politics as not being left enough.
Continuing his examination of progressive reform movements begun with The Cult of Smart, Marxist analyst deBoer takes on a left wing that, like all political movements, is subject to “the inertia of established systems.” The great moment for the left, he suggests, ought to have been the summer of 2020, when the murder of George Floyd and the accumulated crimes of Donald Trump should have led to more than a minor upheaval. In Minneapolis, he writes, first came the call from the city council to abolish the police, then make reforms, then cut the budget; the grace note was “an increase in funding to the very department it had recently set about to dissolve.” What happened? The author answers with the observation that it is largely those who can afford it who populate the ranks of the progressive movement, and they find other things to do after a while, even as those who stand to benefit most from progressive reform “lack the cultural capital and economic stability to have a presence in our national media and politics.” The resulting “elite capture” explains why the Democratic Party is so ineffectual in truly representing minority and working-class constituents. Dispirited, deBoer writes, “no great American revolution is coming in the early twenty-first century.” Accommodation to gradualism was once counted heresy among doctrinaire Marxists, but deBoer holds that it’s likely the only truly available path toward even small-scale gains. Meanwhile, he scourges nonprofits for diluting the tax base. It would be better, he argues, to tax those who can afford it rather than allowing deductible donations and “reducing the availability of public funds for public uses.” Usefully, the author also argues that identity politics centering on difference will never build a left movement, which instead must find common cause against conservatism and fascism.
Deliberately provocative, with much for left-inclined activists to ponder.Pub Date: Sept. 5, 2023
ISBN: 9781668016015
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: June 28, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Jacqueline Winspear ‧ RELEASE DATE: Nov. 10, 2020
An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.
The bestselling author recalls her childhood and her family’s wartime experiences.
Readers of Winspear’s popular Maisie Dobbs mystery series appreciate the London investigator’s canny resourcefulness and underlying humanity as she solves her many cases. Yet Dobbs had to overcome plenty of hardships in her ascent from her working-class roots. Part of the appeal of Winspear’s Dobbs series are the descriptions of London and the English countryside, featuring vividly drawn particulars that feel like they were written with firsthand knowledge of that era. In her first book of nonfiction, the author sheds light on the inspiration for Dobbs and her stories as she reflects on her upbringing during the 1950s and ’60s. She focuses much attention on her parents’ lives and their struggles supporting a family, as they chose to live far removed from their London pasts. “My parents left the bombsites and memories of wartime London for an openness they found in the country and on the land,” writes Winspear. As she recounts, each of her parents often had to work multiple jobs, which inspired the author’s own initiative, a trait she would apply to the Dobbs character. Her parents recalled grueling wartime experiences as well as stories of the severe battlefield injuries that left her grandfather shell-shocked. “My mother’s history,” she writes, “became my history—probably because I was young when she began telling me….Looking back, her stories—of war, of abuse at the hands of the people to whom she and her sisters had been billeted when evacuated from London, of seeing the dead following a bombing—were probably too graphic for a child. But I liked listening to them.” Winspear also draws distinctive portraits of postwar England, altogether different from the U.S., where she has since settled, and her unsettling struggles within the rigid British class system.
An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.Pub Date: Nov. 10, 2020
ISBN: 978-1-64129-269-6
Page Count: 314
Publisher: Soho
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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