Though presented in a stilted fashion, all the portraits are rendered with sympathy and detail.
Selections from the popular yearlong C-SPAN series exploring the lives of the first ladies, each offering conversational, somewhat truncated viewpoints by various historians.
C-SPAN history consultant and author Richard Norton Smith and moderator and senior manager Swain paired up to create the TV endeavor; this book is the severely edited version. Each first lady appears in an official picture circa her husband’s presidential era, and two historians take turns delineating her biography, not necessarily chronologically. A final word from each briefly discusses the lady’s “legacy.” Due to the need to preserve verbatim the historians’ remarks, the editing makes for clunky, disjointed reading, with the effect—more or less intentional—of a conversation rather than a history text. However, each historian offers a depth to his or her subject that helps flesh out these fairly mythical figures who inhabited the White House and give a sense of where she came from and what was truly important to her. These ladies were thrust into a national role, and how they used it to grow is fascinating: Abigail Adams was a prolific and significant writer of letters that provide enormous insight into the Revolution and early national period; savvy entertainer Dolley Madison had to “pinch-hit” as hostess in widower Thomas Jefferson’s administration, laying the important connections she would need for her husband’s subsequent presidency; Sarah Polk was unusually well-educated in her mid-1800s era and served as her husband’s “genuine political partner” (the couple was also the first to be photographed); Lucretia Garfield was the first to keep a diary of her White House days and not to destroy her papers. Several were second wives, most had children, and many lost children, while all were “helpmates” in some fashion. Among the contributing historians are Edith Gelles, Gail Sheehy and David Maraniss.
Though presented in a stilted fashion, all the portraits are rendered with sympathy and detail.Pub Date: April 14, 2015
ISBN: 978-1-61039-566-3
Page Count: 496
Publisher: PublicAffairs
Review Posted Online: Jan. 14, 2015
Kirkus Reviews Issue: Feb. 1, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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