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TYRANNOSAURUS TSURIS

A PASSOVER STORY

Clever, dino-themed fun to get kids excited for Passover.

A tyrannosaurus has terrible tsuris—Yiddish for troubles—because no guests will come to his Passover seder.

Tyrannosaurus is all ready for his seder, but there’s a problem: All the other dinosaurs think he wants to eat them. Meanwhile, the other dinosaurs have their own tsuris, too: Stegosaurus can’t find parsley for the seder plate, Ankylosaurus accidentally stepped on the box of matzah, and Allosaurus has too many guests. Tyrannosaurus is too busy moaning about his own tsuris to listen to the troubles of others, but eventually, they listen to his, and they agree that his tsuris is the worst. After all, the most important thing about seder is gathering around the table with guests. The solution is obvious: They will all attend Tyrannosaurus’ seder, which will neatly solve their problems as well. Each dino is brightly colored, with a textured pattern (or feathers, for the microraptor); herbivores have rounded teeth, and carnivores have sharp ones. A butterfly provides a fun seek-and-find element on each page. Kids who are sticklers for dinosaur facts might notice that many of these dinos did not live at the same time period. The initial alliteration may be the spark for this story, but there’s plenty to keep kids enticed: bright colors, patterned language, and a happy ending.

Clever, dino-themed fun to get kids excited for Passover. (author’s note) (Picture book. 3-6)

Pub Date: Jan. 2, 2024

ISBN: 9781728492377

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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