Empowering affirmations and playful illustrations will inspire both children and adults to slow down and strike a pose.
A young girl overwhelmed by her hectic world calms herself by practicing yoga.
Drawing on her experience as a children’s yoga instructor, author Verde reunites with Reynolds in their third collaboration (You and Me, 2015, etc.). Verde approaches yoga as more than mere physical exercise. Written in first person, the book flows with a young girl as she shifts from turmoil to self-regulated calm through a series of poses. The girl begins with the grounding deep breaths of mountain pose and continues through a complete yoga sequence, ending it with a restful savasana (relaxation pose). Her confident declarations that accompany each pose connect her body’s movements with her inner emotions. Reynolds’ expressive yet soothing watercolors transform each pose beyond its physicality into a full mind-body experience. “I can touch the sky. I am so tall,” reads the text, while the girl, colored all in green, adopts the tree pose, flanked by real trees. The combination of Verde’s tranquil words and Reynolds’ playful interpretations will encourage young readers to mirror each pose before turning the page. Children will learn how yoga can be a tool to guide their emotions even when the outside world is beyond their control. An appendix illustrates the 16 poses from the book with detailed instructions that also include visualization exercises.
Empowering affirmations and playful illustrations will inspire both children and adults to slow down and strike a pose. (Picture book. 3-9)Pub Date: Sept. 8, 2015
ISBN: 9781-4197-1664-5
Page Count: 32
Publisher: Abrams
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A bittersweet tale for kids that deftly illustrates the conflicting emotions that can occur when a loved one is struggling...
In Bertone’s illustrated children’s book, a young boy navigates his increasingly complex but loving relationship with his grandmother, who has Alzheimer’s disease.
Nate loves his Nana, but lately he’s noticed “something going on with her mind.” She begins acting oddly: attempting to read a book upside down, for instance, or forgetting that it’s his birthday party and not hers. As she becomes more preoccupied with “imaginary friends” that Nate can’t see, he becomes increasingly upset that she doesn’t play with him the way she used to: “Sometimes my Nana goes far away, traveling, in her mind. But, where? It’s hard to say! To Italy, outer space, or back to 1952. When Nana’s not here, I don’t know what to do.” Although other people, including Papa (Nate’s grandfather), tend to argue with her when she gets in those moods, Nate tries his hardest to be understanding. As he wonders if she’ll be around to see him get older, she reassures him that her love will remain forever, “though I may forget your name and your face.” Bertone tells the story in verse, with only one or two sentences per page. Claridades’ cartoon illustrations feature wide-eyed characters and pops of color that perfectly encapsulate the story’s shifting moods. When Nana talks to people who aren’t present, for example, the illustrator shades the ghosts of her past in a solid color to differentiate them from reality. The book skillfully blends hard facts and feelings, mentioning Alzheimer’s disease symptoms, such as mood swings, while also demonstrating Nate’s patience and adoration. The lack of parental figures in the book seems like a missed opportunity for the story to clearly explain to Nate, and young readers, what’s happening with Nana. By and large, though, the book manages to convey the reality of the disease to kids in an approachable way that encourages discussion. The book ends with resources for “Understanding aging, dementia, and Alzheimer’s.”
A bittersweet tale for kids that deftly illustrates the conflicting emotions that can occur when a loved one is struggling with dementia.Pub Date: Sept. 17, 2024
ISBN: 9798989403417
Page Count: 50
Publisher: Susan Schadt Press
Review Posted Online: Sept. 19, 2024
Review Program: Kirkus Indie
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