Could this be a made-for-gifting book created to coincide with the 20th anniversary of Clarke’s phenomenal debut?
A much-loved author shares a tale for Christmastime.
In an afterword, Clarke tells readers how this story began as a BBC Radio 4 broadcast. Or, rather, she explains how her father’s neurodivergence, her beliefs about the consciousness of trees, and the music of Kate Bush begat a tale in which a young woman sees her future during a walk in a snowy forest. The author also explains how she was certain that Jonathan Strange and Mr Norrell (2004) contained a footnote describing the city where her protagonist lives, but that it’s gone now—probably removed by a fairy “for reasons of his or her own.” It’s laudable that Clarke wants her readers to experience the narrative without preamble, but this backstory reveals her charms as a writer in a way that the story itself does not. Our heroine, Merowdis Scot, feels most at home in the woods and most herself in the company of animals. Even her sister, Ysolde—who comes closer than anyone to understanding her—is no substitute for Merowdis’ pig, her dogs, her many cats, or the spiders that weave their webs undisturbed in her room. Merowdis is taking a winter walk in the company of a trio of her four-legged companions when she encounters a fox and a blackbird and tells the wood of her desire for a child—a “midwinter child…A child to bring light into the darkness.” Given that Merowdis can’t imagine marrying and, given her ease with animals and unease around people, her wish will require a miracle that’s very different from the miracle found in the Christmas story. Once Merowdis sees her fate, this tale takes on some of the uncanny truth of folklore. Getting to this point, though, means connecting with an “unconventional” heroine who is both familiar and unexceptional in both children’s lit and books for grownups.
Could this be a made-for-gifting book created to coincide with the 20th anniversary of Clarke’s phenomenal debut?Pub Date: Oct. 22, 2024
ISBN: 9781639734481
Page Count: 64
Publisher: Bloomsbury
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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