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THE SPLENDOUR FALLS

A master of gothic romance, Kearsley (The Firebird, 2013, etc.) deftly plants clues, strews red herrings and toys with her...

Into an enchanting village steps Emily Braden, a young Englishwoman who has lost all belief in romance. 

Long ago, young Queen Isabelle, captured and awaiting rescue, hid a treasure in the vicinity of the Moulin Tower of the Chateau Chinon. Centuries later, another Isabelle found star-crossed love with a German soldier, and she, too, is rumored to have left a treasure behind. Now, Emily’s unreliable yet lovable cousin, Harry, has convinced her to go on holiday with him to Chinon. Naturally, despite all promises to the contrary, Harry does not meet her at the train station nor at the hotel. Yet the moment Emily steps through the doors of the Hotel de France, Paul and Simon Lazarus offer her a drink, and she joins a cast of characters simply waiting for her to begin this romantic, mysterious adventure tinged with gothic elements. Her motley crew of supporting characters includes the Lazarus brothers; Jim Whitaker and his insufferable wife, Garland; Christian, a German painter; and Martine, a gallery owner whose ex-husband recently fell to his death on the steep chateau steps. Yet it is the violinist Neil Grantham, with his midnight blue eyes, who captivates Emily’s hesitant heart. Soon, Paul and Emily begin to explore Chinon, and as soon as Emily shares the tale of Queen Isabelle, Simon joins the treasure hunt. An invitation to the elegant vineyard Clos des Cloches leads to more than a flirtation between the darkly handsome owner, Armand Valcourt, and Emily as the hunt for the treasure shifts to the tunnels underneath the wine cellars. Streets are labyrinthine, motivations obscure, and mysteries abound, including the identity of the gypsy man shadowing Emily’s steps as well as the whereabouts of Harry. 

A master of gothic romance, Kearsley (The Firebird, 2013, etc.) deftly plants clues, strews red herrings and toys with her readers’ predictions. The journey is thrilling.

Pub Date: Jan. 14, 2014

ISBN: 978-1-4022-5861-9

Page Count: 384

Publisher: Sourcebooks Landmark

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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THE LAST ACT

The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s...

The FBI hires an aging child actor to go undercover in a West Virginia prison to extract vital information from a convicted money launderer who’d rather keep his head down.

Tommy Jump’s best days onstage are probably behind him. At 27, he’s too old to play children or even teenagers. But as his old schoolmate Danny Ruiz, who’s now with the FBI, assures him, he’s not too old to earn a fat paycheck by playing the role of Peter Lenfest Goodrich, the high school history teacher who reacted to a bank’s plans to foreclose on his mortgage by robbing the bank and then getting caught. Danny is convinced that Tommy’s just the person to worm himself into the confidence of Mitchell Dupree, whose job as an executive in the Latin American division at Union South Bank was seriously compromised when he laundered millions for El Vio, the fearsome, half-blind boss of the New Colima Cartel. Mitch has a wife and two children just beginning the long wait outside for him to serve his time, and although he’s arranged for the documentary evidence he assembled against El Vio to be turned over to the authorities if anything untoward happens to him, he’s not about to upset the apple cart by talking out of turn—unless of course it’s to innocuous Pete Goodrich, who’ll be serving time alongside him in the minimum security Morgantown Prison as soon as he pleads guilty and bids a tearful farewell to Amanda Porter, Tommy’s actual fiancee, who’s just found out she’s pregnant. After all, Tommy’s been acting professionally for most of his life, and the FBI will spring him on a moment’s notice if he gets into trouble, so what could possibly go wrong? Fans of Parks’ well-oiled thrillers (Closer than You Know, 2018, etc.) won’t even bother to ask; they’ll be too busy licking their chops anticipating the twists that are bound to come.

The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s expertly laid traps before they know what’s happening.

Pub Date: March 12, 2019

ISBN: 978-1-5247-4353-6

Page Count: 384

Publisher: Dutton

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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SHOCK WAVE

A methodical bomber gives Virgil Flowers a welcome chance to recover from his atypically bombastic last outing (Bad Blood, 2010, etc.).

Three days before his 70th birthday, billionaire Willard Pye and his board of directors are one room away from an explosion that rocks his boardroom outside Grand Rapids and kills Angela (Jelly) Brown, his executive assistant. Another blast follows with indecent haste, killing a construction superintendent at the site planned for a new PyeMart in Butternut Falls, Minn. The second bombing brings out the Minnesota Bureau of Criminal Apprehension in the person of Virgil Flowers, who assures the disgruntled Pye that he expects to clear the case within a week. “One week and I kiss his ass,” Pye tells Marie Chapman, his high-priced amanuensis. But a week doesn’t look like nearly long enough for a case this complex. Lots of townsfolk in Butternut Falls are against the new megastore. The Cold Stream Fishers, fearing that a pristine trout stream will be fouled, are especially militant. And Despite Pye’s denials, it looks as if a PyeMart expediter has bribed Mayor Geraldine Gore and at least three city councilmen into supporting the highly divisive project. Virgil networks, invites more than 100 locals to make up lists of potential bombers and wonders whether his faltering long-distance relationship with Warren Count Sheriff Lee Coakley is strong enough to keep him safe from Marie Chapman and other indigenous temptresses. The bomber, meanwhile, is moving ahead with a deep-laid plan, setting off one explosive device after another in order to make some kind of statement, mislead Virgil and cover his tracks. The tale drags at times, but the mystification and detection are authentic and the solution surprisingly clever. Virgil fully deserves to have Willard Pye kiss his ass.

 

Pub Date: Oct. 1, 2011

ISBN: 978-0-399-15769-1

Page Count: 400

Publisher: Putnam

Review Posted Online: Aug. 15, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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