A playful approach to teaching kids the alphabet.
Twenty-six Alphababies prepare for bedtime.
Putting A, B, C, and 23 other little ones to bed for the night is a daunting task. The bespectacled Alpha Mom needs a megaphone to call the kids to attention: “TIME FOR BED!” From there, in a style reminiscent of Bill Martin Jr. and John Archambault’s Chicka Chicka Boom Boom (1989), illustrated by Lois Ehlert, each child romps, rolls, and races to bed. Despite lights out, the kids have an “alpha pillow fight!” after which Mommy and Daddy finally get them to sleep with a kiss and one last tuck into bed. This spirited family is full of personality, each child with a different stuffed animal and pajama set and a unique journey to bedtime. The illustrations capture the bustle of a house bursting with children, from the chaos of the dinner table and children slipping on carpets and overturning houseplants in their haste to a series of bathtubs full of activity. A particularly effective string of illustrations shows the progression of lights out, from the line of light from a cracked bedroom door through the pillow fight and right into the appearance of two perturbed parents. The rhyming text bounces along, an easy read-aloud, with rich vocabulary like impish, jazzy, and scramble making for a fun, silly, relatable read with detailed, appealing illustrations. The Alphababies are diverse in skin tone, their mother is brown-skinned, and their father is light-skinned. (This book was reviewed digitally.)
A playful approach to teaching kids the alphabet. (Picture book. 2-5)Pub Date: Oct. 25, 2022
ISBN: 978-0-399-16841-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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