A second adventure that strikes all the right notes—layered mystery, incisive cultural context, and a delightful protagonist...
Steiner’s (Missing, Presumed, 2016, etc.) intrepid, dysfunctional detective, Manon Bradshaw, returns on a case that quickly becomes personal.
When we last saw Manon, she had adopted Fly, an orphan closely related to her last case, and they were moving in with Manon’s sister, Ellie, and her toddler, Solomon, in London. A year or two has passed, and the unlikely family unit has moved back to the familiar world of Cambridgeshire, where Manon is stuck working cold cases—and she’s five months pregnant, having decided to give up the wait for “Mr. Right” and take matters into her own hands. She’s concerned about Fly, now one of the only black kids in the neighborhood, and the fact that he’s 12 going on 20. When a wealthy London banker is found stabbed in nearby Hinchingbrooke Park, Davy and Harriet, Manon’s friends and co-workers, quickly discover that he's Ellie’s ex-boyfriend—and Solomon’s father. But before they can fully investigate this connection, their Chief Superintendent shuts them down and strongly suggests, instead, that they arrest Fly, who's been caught on camera walking through the park at the time of the murder. As in her previous novel, Steiner does not shy away from exploring the racist aspects of the justice system; this only works because she has crafted such complex and believable characters. There is no doubt that Manon is barely making it from day to day, but her heart is always in the right place, and for all her awkwardness, she once again proves to be a great cop—and a fierce mother.
A second adventure that strikes all the right notes—layered mystery, incisive cultural context, and a delightful protagonist who deserves a place alongside other beloved literary detectives.Pub Date: June 27, 2017
ISBN: 978-0-8129-9834-4
Page Count: 368
Publisher: Random House
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.
In Beartown, where the people are as "tough as the forest, as hard as the ice," the star player on the beloved hockey team is accused of rape, and the town turns upon itself.
Swedish novelist Backman’s (A Man Called Ove, 2014, etc.) story quickly becomes a rich exploration of the culture of hockey, a sport whose acolytes see it as a violent liturgy on ice. Beartown explodes after rape charges are brought against the talented Kevin, son of privilege and influence, who's nearly untouchable because of his transcendent talent. The victim is Maya, the teenage daughter of the hockey club’s much-admired general manager, Peter, another Beartown golden boy, a hockey star who made it to the NHL. Peter was lured home to bring winning hockey back to Beartown. Now, after years of despair, the local club is on the cusp of a championship, but not without Kevin. Backman is a masterful writer, his characters familiar yet distinct, flawed yet heroic. Despite his love for hockey, where fights are part of the game, Peter hates violence. Kira, his wife, is an attorney with an aggressive, take-no-prisoners demeanor. Minor characters include Sune, "the man who has been coach of Beartown's A-team since Peter was a boy," whom the sponsors now want fired. There are scenes that bring tears, scenes of gut-wrenching despair, and moments of sly humor: the club president’s table manners are so crude "you can’t help wondering if he’s actually misunderstood the whole concept of eating." Like Friday Night Lights, this is about more than youth sports; it's part coming-of-age novel, part study of moral failure, and finally a chronicle of groupthink in which an unlikely hero steps forward to save more than one person from self-destruction.
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.Pub Date: April 25, 2017
ISBN: 978-1-5011-6076-9
Page Count: 336
Publisher: Atria
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK TO SCREEN
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.
Powers’ (Orfeo, 2014, etc.) 12th novel is a masterpiece of operatic proportions, involving nine central characters and more than half a century of American life.
In this work, Powers takes on the subject of nature, or our relationship to nature, as filtered through the lens of environmental activism, although at its heart the book is after more existential concerns. As is the case with much of Powers’ fiction, it takes shape slowly—first in a pastiche of narratives establishing the characters (a psychologist, an undergraduate who died briefly but was revived, a paraplegic computer game designer, a homeless vet), and then in the kaleidoscopic ways these individuals come together and break apart. “We all travel the Milky Way together, trees and men,” Powers writes, quoting the naturalist John Muir. “In every walk with nature one receives far more than he seeks.” The idea is important because what Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves. Nick, for instance, continues a project begun by his grandfather to take repeated photographs of a single chestnut tree, “one a month for seventy-six years.” Pat, a visionary botanist, discovers how trees communicate with one another only to be discredited and then, a generation later, reaffirmed. What links the characters is survival—the survival of both trees and human beings. The bulk of the action unfolds during the timber wars of the late 1990s, as the characters coalesce on the Pacific coast to save old-growth sequoia from logging concerns. For Powers, however, political or environmental activism becomes a filter through which to consider the connectedness of all things—not only the human lives he portrays in often painfully intricate dimensions, but also the biosphere, both virtual and natural. “The world starts here,” Powers insists. “This is the merest beginning. Life can do anything. You have no idea.”
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.Pub Date: April 3, 2018
ISBN: 978-0-393-63552-2
Page Count: 512
Publisher: Norton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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