A novel that delivers a shining example of worldbuilding on another planet, strengthened by tightly executed twists.
A YA sci-fi adventure follows a girl whose clan worships a deadly river and survives using mysterious technology.
Fourteen-year-old Margole lives in the village of Mellansh, on the planet Hera. Her people consist of women and children who cultivate growths called fixers, which allow the clan to digest Hera’s plant and animal life. They trade fixed food with nomadic groups of men who hunt game and travel among female-run villages to conduct the Eros Ceremonies (to bring new babies into the world). Margole’s village is ruled by her aunt, the chieftess Hilde. While the men travel using Noku, a powerful river that occasionally floods, Hilde and the chieftesses of other villages employ the rasken. These disc-shaped objects, left by space-faring ancestors who colonized Hera, allow the wearer to teleport. One day, Margole and her twin brother, Jaeca, explore some caves and find rasken of their own. Jaeca discards his, but Margole keeps hers. Back in the village, Hilde finally delivers a daughter to carry on her ruling line (and inherit her rasken); baby Rayleen, however, is severely deformed. Meanwhile, Margole must cope with joining the Eros Ceremonies for the first time and losing her brother to nomadic manhood. Maxwell (The Perfect Child, 2013) has crafted an elegant, though tumultuous, realm in Hera and a bold heroine in Margole. Watching her evolution during the fracturing of her people’s way of life—thanks to Noku’s wrath and Hilde’s precarious mental health—is riveting. Through much of the narrative, Maxwell keeps the workings of the rasken vague, though readers learn that “Most of the ancients’ [other] tools had either been abandoned or were forbidden because of the dangers involved.” Tender moments arise from the friction between partners discovering love and a society that doesn’t support long-term companionship. As for Margole’s emotions, her mother says, “You must learn to hide them.” Maxwell’s spare use of sci-fi in a primitive setting maximizes the appeal of both elements.
A novel that delivers a shining example of worldbuilding on another planet, strengthened by tightly executed twists.Pub Date: Dec. 30, 2011
ISBN: 978-1-4663-9932-7
Page Count: 330
Publisher: CreateSpace
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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