A fresh, modern story about learning to be honest.
When a woman accidentally sends overly honest emails to the people she cares for most, chaos ensues.
Putting it bluntly, Sara Chae is exhausted. Though she’s overworked and undervalued at her job, she knows she can bring something new and exciting to the tech world. If only her sexist bosses would listen to her pitch for One Last Word, an app that will send out your final messages to the most important people in your life after you die. When Sara doesn’t get the support she’s hoping for, she decides to take her idea elsewhere, working on the finishing details for One Last Word from her cramped living space in her sister’s walk-in closet. One drunken night, she drafts her own messages to the people she hasn’t been fully honest with—her parents, her estranged best friend, her biggest crush from high school—and is horrified when the app accidentally sends them out. Now, she has to deal with the fallout that comes from finally speaking the truth to the people who have mattered most throughout her life. The timing couldn’t be worse; she’s also been accepted into a venture capital mentorship program, and that aforementioned high school crush, Harry Shim, is now the VC bigwig assigned to be her mentor. Not only does Sara have to fine-tune her app to get the necessary funding, but she also has to navigate around Harry, since they’re supposed to be working together, not rekindling old feelings. Park has always been good at telling stories about women who find themselves at a nadir in their professional lives, and Sara’s struggles in her industry are deeply relatable. Although the book’s romantic dilemma could have used a more thorough resolution, there are plenty of laughs as we follow Sara’s journey toward achieving her biggest career goals.
A fresh, modern story about learning to be honest.Pub Date: April 16, 2024
ISBN: 9780063216099
Page Count: 288
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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