Entertaining escapism but a too-obvious pastiche of classic literary memes.
Rindell, who exhibited her own skill at noir romances in The Other Typist (2013), borrows heavily from Charlotte Brontë, du Maurier, and Hitchcock in this gothic yarn about secrets not shared by a young wife and her wealthy older husband.
When the San Francisco orphanage where she lives mysteriously burns down, 13-year-old Violet and two older friends—flashy Cora and common-sensical Flossie—end up in a bordello run by Mr. Tackett, who hires the 16-year-olds as dancehall girls and mousy, sensitive Violet as a maid. Two unhappy years later, Violet finds miserly, vicious Tackett dead from a suspiciously violent stomach ailment. Violet, who suffers from strange blackout spells, has reason to worry he’s been poisoned. Serendipitously, the 1906 earthquake occurs almost immediately, leveling the bordello with the dead man inside and leaving his money for Violet, Cora, and Flossie to divide. Reinventing herself as a respectable shop girl, Violet is wooed by dashing, wealthy Harry Carlyle, whom Rindell could easily have named Edward Rochester or Maxim de Winter. Harry’s first wife, Madeleine, evidently died in the earthquake. Or did she? Harry and Violet agree not to discuss their pasts, one of the novel’s many convenient contrivances. Despite Cora’s grouchy disapproval, Violet marries Harry with Flossie’s support. Enter prune-faced housekeeper Miss Weber. Whether jealous over Harry or loyal to Madeleine, she makes Violet’s life miserable in all the ways readers of Victorian melodrama know well. Meanwhile, strange nocturnal events of the standard tinkling piano and lit candle variety lead Violet to fear a ghost is stalking her. Given Harry’s flashes of temper and Violet’s insecure curiosity, the marriage understandably becomes strained. Then Harry is hospitalized for—guess what—stomach problems! Is he being poisoned, and, if so, by whom? Who may not be whom they seem? Who is a criminal? Or a ghost? Since everything revolves around secrets and distrust, readers may gleefully assume they shouldn’t trust Violet as narrator. Or should they?
Entertaining escapism but a too-obvious pastiche of classic literary memes.Pub Date: July 28, 2020
ISBN: 978-0-525-53920-9
Page Count: 432
Publisher: Putnam
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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