by Suzanne Rodriguez ‧ RELEASE DATE: Oct. 1, 2002
A unique period in history viewed through the lens of a unique individual’s life.
From the author of Found Meals of the Lost Generation (not reviewed), a biography of one of the pioneering Americans in Paris
Born in 1876 to a wealthy and socially prominent Washington, D.C., family, Natalie Clifford Barney wasn't like most young women of her generation. For one thing, she had a deep, lifelong interest in literature and the arts encouraged by her mother, painter Alice Barney. For another, she was an unapologetic lesbian at a time when even educated people considered homosexuality a sickness. She made Paris her home not only because it was then the center of the cultural world, but because having an ocean between her and America helped keep her family from being embarrassed by her scandalous affairs. (She numbered among her lovers courtesan Liane de Pougy, poet Renee Vivien, and painter Romaine Brooks, none of whom distracted her from conducting dozens of flings of various durations.) Although Barney published several volumes of poetry and other short works during her lifetime, her reputation rests primarily on the salon she founded in the ’20s and continued to run almost until her death in 1972. During its heyday between the wars, virtually every major literary figure who passed through Paris seems to have attended, including Colette, Anatole France, Pierre Louys, Gertrude Stein, Ezra Pound, and Djuna Barnes. Rodriguez describes Barney's life in a lively, if occasionally somewhat breathless manner. The impression of Barney that emerges seems less that of a prototypical feminist icon than of the high-spirited product of a privileged upbringing who, having been denied nothing as a child saw in turn no reason to deny her own feelings as an adult. It's a fascinating portrait of someone who, to paraphrase Oscar Wilde, put her talent into her work but her genius into her life.
A unique period in history viewed through the lens of a unique individual’s life.Pub Date: Oct. 1, 2002
ISBN: 0-06-621365-7
Page Count: 432
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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