by Suzie Gilbert & illustrated by Laura Westlake ‧ RELEASE DATE: March 2, 2009
Best for like-minded bird enthusiasts.
Free-spirited animal lover shares the ups and downs of five years spent rehabilitating injured birds from her Hudson Valley home.
Gilbert (Hawk Hill, 1996) admits she was always a misanthropic rebel—bouncing among schools and jobs and resenting authority, but enthralled by the dignity of animals. She worked at an animal hospital and volunteered at a raptor center for several years before becoming a home-based rehabber. Gilbert had a flight cage built, passed her federal permit exam and agreed to accept only recovering songbirds. The need for committed, qualified wildlife rehabilitators is so great, however, that she found herself taking on more birds than she could handle, largely out of guilt for the wrongs visited by “perverse” humans on the innocent avian population. She comically describes her house becoming a veritable circus of wild birds, with a great blue heron in the shower, grackles in the flight cage, a duckling in the living room and waxwings perched wherever there was room. (Westlake’s illustrations vividly convey the scene.) While Gilbert’s jealous pets, a yellow-collared macaw and an African grey parrot, waged war on the invading species, her patient family got used to seeing defrosted rats on top of the dryer or mealworms in the fridge. The author’s two children in particular add purpose and exuberance to her story. Readers will acquire education aplenty from Gilbert’s discussions of the creatures she encounters and the challenges rehabbers face in a world where more than 90 percent of wildlife injuries are the direct result of human activity. She excoriates ignorant owners who let domestic cats hunt birds for play, decries her perennial lack of funds and labor and describes working with vets to decide whether euthanasia or captivity is more humane. Gilbert is abrasive and funny, a crusader with little patience for those who do not share her concerns. She scants opportunities to transcend her topic and connect with readers on more relatable struggles like family balance, accepting limits and managing suffering.
Best for like-minded bird enthusiasts.Pub Date: March 2, 2009
ISBN: 978-0-06-156312-6
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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