Haunting, mesmerizing and intense.

CHASING SHADOWS

Two friends alternate narration and struggle with grief and trauma after a violent murder.

Freerunners who fearlessly climb and jump through the city as an urban obstacle course, Holly, Savitri and Corey are nearly inseparable—Holly and Corey twins, Savitri and Corey dating, Holly and Savitri best friends. But then a gunman murders Corey and gravely wounds Holly. Comatose Holly dreams that a snake man, Kortha, claims Corey for the Shadowlands. Phillips’ masterful dream illustrations, marked by fluid, bold lines and strong angles that create impeccable clarity and movement, provide intermittent graphic-novel segments. The strategically deployed illustrated sections pack major narrative and emotional punches. Upon waking from her coma, Holly can’t let go of her dreams. She latches onto her favorite comic-book character, a vengeance-bound superhero named Leopardess. Meanwhile, Savitri struggles to support the ever more distant and erratic Holly at the cost of dealing with her own needs. The two desperately try to make meaning of Corey’s death and find his killer. The girls are sympathetic in different ways, and their development as characters is natural, logical and seamless. Avasthi deftly weaves story elements and narrative techniques—two narrators, the graphic portions and even a flawlessly executed second-person passage—to create a rich portrait of friendship and the depths of reality-shattering grief.

Haunting, mesmerizing and intense. (Graphic fiction hybrid. 13 & up)

Pub Date: Sept. 24, 2013

ISBN: 978-0-375-86342-4

Page Count: 320

Publisher: Knopf

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A crackerjack thriller done in by its own dopey protagonist.

LOCK THE DOORS

A blended family seeks a fresh start in a new home.

Tom’s mother believes that the family may have finally found happiness. After years of dating losers, she’s finally settled down with a nice guy—and that nice guy, Jay, happens to have a daughter, Nia, who is just a little older than Tom. The new family has moved into a nice new house, but Tom can’t shake the feeling that something’s wrong. They discover a strange message written on the wall when they are stripping the old wallpaper, and there’s clear evidence that the previous owners had installed locks on the exteriors of the bedroom doors. Those previous owners happen to live a little farther down the street, and Tom quickly becomes obsessed with their teenage daughter, Amy, and the secrets she’s hiding. This obsession unfortunately becomes a repetitive slog involving many pages of Tom’s brooding and sulking over the same bits of information while everyone tells him to move on. Readers will be on everyone’s side. But then, a blessed breath of fresh air: The perspective shifts to Amy, and readers learn in spectacularly propulsive fashion exactly what she’s hiding. Regret and intrigue blend perfectly as Amy divulges her secrets. Alas, we return to navel-gazing Tom for the book’s final pages, and everything ends with a shrug. Main characters default to White.

A crackerjack thriller done in by its own dopey protagonist. (Thriller. 14-18)

Pub Date: March 1, 2022

ISBN: 978-1-72823-189-1

Page Count: 400

Publisher: Sourcebooks Fire

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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