Not Montgomery’s best but mostly enjoyable reading on a consistently intriguing raptor.
The bestselling author of The Soul of an Octopus and The Good Good Pig turns her attention to hawks.
Montgomery hooks readers with a striking opening line—“Inches from my face, I hold a living dinosaur”—the first hint of her passion for the subject. This slender, graceful work, featuring Strombeck’s vivid photos, is more a monograph than a book, though scientific rigor is not its strong suit. Throughout, the author displays her abundant enthusiasm for this unique predator, but she sometimes gets carried away, giving the impression that working with the hyperfocused hawk is like playing Russian roulette with a fully loaded gun. Not that devotees will complain. Montgomery offers a good amount of stimulating information about raptor behavior, a primer on the language of falconry, and some surprising insights into what is thought to be a hawk’s mindset. Montgomery’s fervor echoes that of her mentor, the late master falconer Nancy Cowan, whose 2016 book Peregrine Spring possessed some of the same merits and deficiencies—most notably, too many flights of fancy. This is not to say that Montgomery isn’t factual on the basics of humans hunting with hawks, including proven stratagems. She also explores at length, with admiring acceptance, what it means to be the bird’s subordinate partner in the hunt. Occasionally, Montgomery’s lyrical bent finds her indulging in the sort of dramatics and anthropomorphism that are more romantic than empirical: “On my hand, I hold a waterfall, an eclipse, a lightning storm. No, more than that. Jazz is wildness itself, vividly, almost blindingly alive in a way we humans may never experience.” It’s a lovely thought but overwrought. Yet the author helps us forgive these excesses, and a rather selective love of animals, with her powers of observation and total absorption.
Not Montgomery’s best but mostly enjoyable reading on a consistently intriguing raptor.Pub Date: May 3, 2022
ISBN: 978-1-668-00196-7
Page Count: 96
Publisher: Atria
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science...
Bryson (I'm a Stranger Here Myself, 1999, etc.), a man who knows how to track down an explanation and make it confess, asks the hard questions of science—e.g., how did things get to be the way they are?—and, when possible, provides answers.
As he once went about making English intelligible, Bryson now attempts the same with the great moments of science, both the ideas themselves and their genesis, to resounding success. Piqued by his own ignorance on these matters, he’s egged on even more so by the people who’ve figured out—or think they’ve figured out—such things as what is in the center of the Earth. So he goes exploring, in the library and in company with scientists at work today, to get a grip on a range of topics from subatomic particles to cosmology. The aim is to deliver reports on these subjects in terms anyone can understand, and for the most part, it works. The most difficult is the nonintuitive material—time as part of space, say, or proteins inventing themselves spontaneously, without direction—and the quantum leaps unusual minds have made: as J.B.S. Haldane once put it, “The universe is not only queerer than we suppose; it is queerer than we can suppose.” Mostly, though, Bryson renders clear the evolution of continental drift, atomic structure, singularity, the extinction of the dinosaur, and a mighty host of other subjects in self-contained chapters that can be taken at a bite, rather than read wholesale. He delivers the human-interest angle on the scientists, and he keeps the reader laughing and willing to forge ahead, even over their heads: the human body, for instance, harboring enough energy “to explode with the force of thirty very large hydrogen bombs, assuming you knew how to liberate it and really wished to make a point.”
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science into perspective.Pub Date: May 6, 2003
ISBN: 0-7679-0817-1
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK TO SCREEN
Lyrical and cleareyed insight into farming from a writer devoted to both crafts.
A writer and transient farmer chronicles multiple seasons of work and life.
In her debut memoir, spanning four years of her life, Gaydos proceeds chronologically according to the season. Early on, she introduces Graham, an old friend and painter with whom she began a romantic relationship; that bond forms a constant amid the temporary settings of her jobs. Gaydos clearly loves Graham, as she also loves writing and her family, but they are secondary to the work she has chosen. Despite her other loves, “there is the problem that I am promised to the farm.” Each of the farms where she has worked may have different specialties in different locations, but they are alike in their rural settings, menial pay, and painstaking labor. Gaydos describes the realities of farm life with honest precision, neither indulging in unnecessary dramatizing nor shying away from the numerous harsh realities. “The rooster named Commander succumbs to the breeding of flies,” she writes. “He is under the care of the three-year-old….Commander isn’t getting better. One day the farmer takes him out of his cage and cuts off his head with a shovel, [a] compassionate act.” The most affecting passages focus on the people the author met in the communities where she has lived. Gaydos describes an evening spent at the Lebanon Valley Speedway’s annual Eve of Destruction demolition derby event, a spectacle that was marred by the death of a driver a few years prior, killed when his RV collapsed upon impact with a Jeep. Despite the tragedy, “a lot of people wanted to keep the show going….Someone in town told me…that people die what seems like every other year on this track.” The incident illustrates in dramatic fashion what Gaydos paints in broad strokes throughout her book, a complex and fraught portrait of a lifestyle that is simultaneously protective, precarious, and resistant to change.
Lyrical and cleareyed insight into farming from a writer devoted to both crafts.Pub Date: June 14, 2022
ISBN: 978-0-593-31895-9
Page Count: 240
Publisher: Knopf
Review Posted Online: March 7, 2022
Kirkus Reviews Issue: April 1, 2022
PERSPECTIVES
PERSPECTIVES
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