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GIRL OUT OF PLACE

A remarkable tale of youthful resilience overshadowed by an abundance of teenage angst.

A 15-year-old girl comes of age in the Dutch East Indies as World War II ends in this YA romance loosely based on a true story.

Van Duyn credits Nora Valk as the inspiration for this novel about a teenager’s struggles. Nell Arends is interned in 1942 with family members on Java after the Japanese invade the Dutch East Indies (now Indonesia). Her father, a pilot for the Dutch East Indies army, is imprisoned in Japan. Nell chronicles her arduous journey, beginning with her release from a jungle prison camp following the Japanese surrender in 1945. Her mother now dead, she travels with her aunt to the Javanese city of Jogjakarta. Then, while the Indonesians revolt to overthrow Dutch colonial rule, the two escape by ship to a Singapore refugee camp. Nell’s father reappears and makes some unilateral decisions—first settling her in a beach resort near Sydney, Australia; next, in a girls boarding school far from Sydney and her friends; and then in the Netherlands. He remains on Java, quietly marrying a woman and tacitly wanting Nell out of the way. Despite the incredible events occurring, Nell’s constant obsession is with Tim Thissen, a boy she meets briefly on a harrowing transport while fleeing internment. The author presents an extraordinary survival story with rich details. But the book’s opening sentence, “I was fifteen and I had never kissed a boy,” epitomizes the focus of a tale rife with dramatic potential. Whatever is happening around her—war, her mother’s death, violent revolution—Nell remains a typical teenager. While waiting a few hours for a train after escaping the prison camp, she whines: “I’d rather be standing in line in the camp waiting for my food!” After arriving safely in Singapore, she complains that “now I wish I were back on board the ship.” Reunited with her father, who likely was tortured in a Japanese prison camp, she exhibits little compassion for his attempts to restart his life. As a narrator, the infatuated Nell lacks perspective, and the action often meanders. Translated from the Dutch by Hoegen, the novel abounds with awkward phrasing: “I’m fifteen now and so are you, of course, but you’ve changed so much”; “After years, I meet you in the safe house and now I’m sharing the same cabin with you.”

A remarkable tale of youthful resilience overshadowed by an abundance of teenage angst.

Pub Date: Sept. 8, 2020

ISBN: 978-1-912430-43-7

Page Count: 200

Publisher: Aurora Metro Books

Review Posted Online: Sept. 20, 2020

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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BETTER THAN THE MOVIES

Exactly what the title promises.

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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