A posthumously published companion to Roomrimes (1987): an alphabet of 26 jaunty poems that capture ``Things That Go'' in witty, succinctly phrased, and impeccably cadenced verse that sports playfully with sounds, meanings, and expectations—a well- equipped ``Ocean Liner'' now lines the ocean floor; the vividly described ``Night Train'' actually brings the night; a ``Queue'' (a word per line, here, to emulate the subject) can move or break; and a ``Vacuum Cleaner'' is also animate as it ``munches,'' ``gulps,'' ``picks,'' ``laps,/until, at last,/its belly full,/it backs itself/into its lair.'' From ``Ark'' to ``Zeppelin,'' the poet offers a delightfully fresh look at well- known things. Chessare's understated b&w art quietly extends the humor while contributing nicely to the appealing open format. (Poetry. 4-12)
Pub Date: April 30, 1993
ISBN: 0-06-022632-3
Page Count: 52
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
Ginny loves reading circle, but getting there is a bit of a challenge because only half the chairs are real. Figuring out which words to read is tough, too. See, “Ginny’s eyes [play] tricks”—she’s got double vision and doesn’t realize that’s unusual. “We read it just once,” says her teacher, and, “Don’t squint.” Lyon’s simple, declarative text effortlessly puts readers into Ginny’s head, and Avril’s whimsical mixed-media illustrations give them her eyes, overlaying one image slightly off its original in a satisfyingly disorienting fashion. A vision test at school is revelatory: “Do you know,” the nurse asks gently, “that most people see only one?” This small episode, taken from the author’s own experience, is much more than bibliotherapy, even though it covers Ginny’s remedial eye patch (hence the title). In single or double vision, Ginny simply glows. (Picture book. 4-8)
Pub Date: June 22, 2010
ISBN: 978-1-4169-5024-0
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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