Commendably honest but not compelling fiction.
An overwhelmed new mother vents.
The mood in this debut novel is claustrophobic, and no wonder, since the unnamed narrator refuses to leave her apartment, much to the chagrin of her supportive but increasingly concerned and frustrated husband, John. She won’t even go to the first two checkups for their daughter, Button—well, that’s not her real name, the woman informs us: “The baby I hold in my arms is a leech, let’s call her Button.” Molnar grittily conjures the exhaustion and disorientation of the first weeks with a first child in a narration that voices furious resentment of Button’s insatiable demands and some scary thoughts about harming her. John’s cheerful acceptance of their new routine is easy for him, she bitterly muses; he gets to go to the office and sleep through the night while she gets up to nurse yet again. Miffo (the narrator’s name for her floundering postpartum self) lost her own mother as a girl and painfully feels the lack of a maternal role model; John and well-meaning friends try to help, but she pushes them all away, becalmed in severe depression. Only an elderly upstairs neighbor, who initially knocks on her door to complain about the baby crying, becomes an odd sort of confidant, and then dies. Wistful memories of time with John “before” and of her work as a translator, when “I could choose between this word or that [and] linger in silence,” will strike a chord with anyone who remembers the difficult adjustment to life ruled by someone else’s needs, but Miffo seems never to experience the moments of joy that, for most new parents, at least occasionally alleviate the equally powerful exhaustion, anger, and sorrow. She strikes one dreary note throughout, and by the time she finally emerges from her depression and steps outdoors, readers may well be very tired of her.
Commendably honest but not compelling fiction.Pub Date: March 21, 2023
ISBN: 978-0-59331-684-9
Page Count: 208
Publisher: Pantheon
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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