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GOOD LOOKIN'

A JOE TURNER MYSTERY

A rigorous, thoroughly engrossing mystery from a writer with immense potential.

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A debut crime drama focuses on a fight for justice involving a lawyer and his obscure, young client accused of murder.

Criminal defense attorney Bequette spins a serpentine thriller chronicling the treacherous life and career of a Bay Area public defender much like himself. Joe Turner is a hard-hitting lawyer but finds himself rattled after a hulking murderer threatens his life and he narrowly escapes unharmed. Following that traumatic shake-up, he is appointed by a court to represent Oakland IceBoyz gang member Darnell Moore, who, at 19 years old, stands accused of the coldblooded, drive-by shooting death of rival Cashtown gangster Cleveland Barlow. The case frustrates Turner in that it suffers from a lack of direct evidence, as video surveillance on the street corner where the murder took place never shows Moore shooting Barlow, though a purported witness testifies otherwise. As the case develops, Moore proves to be a difficult, unreliable defendant, withholding critical details about his firearm possession (“That’s not my gun”) and misleading investigators about his alliances with the IceBoyz gang. Running alongside the case is the backstory of 9-year-old twin brothers Damon and Jesse Wendell, who are forced to tolerate another in a series of “too good to be true,” incapable foster fathers. They are tormented by relentless schoolyard bullying and sexual abuse by their current foster parent, which results in deadly retribution.

In-depth details embedded in the narrative reveal Turner to be a tough yet sensitive single Northern California legal professional prone to stress-drinking and flourishes of loneliness. His dynamic interplay with Andy Kopp, the wiseacre personal injury attorney with whom he shares an office, offers comic relief as Kopp’s wife attempts to set Turner up with an eligible woman to soothe his single man’s ennui. The simmering romance that ensues effectively leavens all of the hardcore defense attorney’s spadework nicely. Both storylines, Moore’s murder trial and the twins’ history of drama at home, eventually coalesce into a surprising intercourse of criminal defense and childhood self-defense and vigilante justice. These narrative elements bring the case to a rousing climax and a shocking conclusion that readers won’t see coming. Written from Turner’s first-person perspective, this series opener presents the protagonist as a resilient lawyer. At times, his behavior suggests he might be better suited as a detective, until the courtroom antics begin and he pokes holes in the prosecution’s case against Moore, who he believes is innocent. A father of twin boys, Bequette drew from his experience raising them, which bolsters the book’s authenticity. Short chapters keep the action and the momentum at a quick pace as Turner draws closer to exonerating his client amid a firestorm of twists and turns. Kudos to the author for inserting a bombshell zinger into the thriller’s last chapter; it’s a doozy. Anchored by a likable hero, this zesty, addictive tale incorporates plenty of criminal hijinks and courtroom melodrama and will satisfy fans of suspense novels and literary crime dramas.

A rigorous, thoroughly engrossing mystery from a writer with immense potential.

Pub Date: May 24, 2021

ISBN: 978-1-5092-3570-4

Page Count: -

Publisher: Wild Rose Press

Review Posted Online: March 19, 2021

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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