The occasional flash of humor or graceful turn of phrase is not enough to save this sophomore outing but holds out hope for...
Sara Jane, high school student and reluctant Mafiosa, continues to explore her psychic powers and search for her kidnapped family in this sequel to Cold Fury (2012).
She and her best friend, fat schlub Doug Stuffins, have holed up in the Bird Cage Club, her family’s hideout, where she studies her family’s secret notebook for clues to their hinted-at “ultimate power.” When in public, she watches for the mysterious black ice cream trucks, which are driven by grotesque, asexual creatures; they were behind her family’s disappearance and are, terrifyingly, now pursuing her. She juggles her romance with dreamy Max from school with her responsibilities as Outfit counselor at large, which find her using her hereditary “cold fury” gaze to keep the peace. As in the first book, genuinely intriguing details about the Outfit clash with the book’s paranormal elements. Sara Jane’s conveniently discovered psychic ability to generate electricity feels superfluous; the “ice cream creatures” are creepy but so over-the-top they clash with the real-life menace of such figures as Lucky, the Outfit boss (who, brilliantly, achieves catharsis by watching sad Disney movies). Narrator Sara Jane does a lot of telling, not showing, as she makes choices readers will find both inconsistent with her character development and repugnant.
The occasional flash of humor or graceful turn of phrase is not enough to save this sophomore outing but holds out hope for future, better integrated tales. (Paranormal thriller. 12 & up)Pub Date: Aug. 20, 2013
ISBN: 978-0-399-25721-6
Page Count: 384
Publisher: Putnam
Review Posted Online: May 21, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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