by Tad Bartimus ‧ RELEASE DATE: Aug. 27, 2002
And better late than never to have this superb gathering of talent whose work presents an overlooked perspective on the war.
Women journalists recall the terror and tragedy of Vietnam in this path-breaking collection of essays.
“Sometimes an officer would say, ‘What the hell is a woman doing here?’ and I’d shrug nonchalantly, ‘My editor sent me to cover the fighting,’ ” recalls Washington Post correspondent Ann Mariano, who went to Vietnam a skeptic and returned a committed pacifist, certain that “America’s involvement was tragic and doomed to fail.” The sentiment is echoed by several of Mariano’s peers; Lithuanian expatriate Jurate Kazickas writes, “Despite my loathing of communism and my belief that we could not walk away from the South Vietnamese, [I] began to feel the war was a terrible mistake, a sacrifice too great for any country, including my own, to bear.” Like the men who fought there, these women came of age in a terrible place, and their reminiscences ably complement an almost exclusively male literature. The dominant mood is cool resignation mixed with occasional moments of terror—a mix that yields hard-boiled lines such as these from the excellent Australian journalist Kate Webb: “A GI next to you got hit, and you didn’t. A kid who the night before had been whispering over a Dear John letter from his girl in Puerto Rico was a cold, gray weight in a slimy poncho hung on two poles.” Also from Webb, who closely resembles a latter-day Martha Gellhorn, comes the startling news that Communist Chinese forces were directly involved in the fighting, a development she did not report at the time because “plainclothes US intel guys ferreted me out and argued with me long and hard that if UPI went with the story, it could widen the war.” Protesting that the Chinese presence was already proof that the war had widened, Webb eventually yielded. But better to have this revelation late than never to have it at all.
And better late than never to have this superb gathering of talent whose work presents an overlooked perspective on the war.Pub Date: Aug. 27, 2002
ISBN: 0-375-50628-4
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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