A stirring first-person account of holding powerful institutions responsible for abetting slavery.
Battling on behalf of enslaved forebears.
This inspiring memoir features unforgettable dialogue: “We’re going to Columbia, South Carolina, to spend the weekend with the family who enslaved our ancestors!” So Lanier tells her daughters, announcing a remarkable development in a long campaign. Her goal: compel Harvard University to hand over images of her great-great-great grandfather Renty Taylor and his daughter Delia, enslaved in the 19th century and treated as “specimens” to be studied. Lanier’s memoir begins in 2010, when she promises her dying mother that she’d chronicle her family’s history. She serendipitously mentions the project to the owner of an ice cream shop near her Connecticut home. Turns out he’s a “genealogical whiz.” With his help, she discovers that Renty and Delia are among seven enslaved people seen in infamous daguerreotypes commissioned in 1850 by Louis Agassiz, a Harvard professor with repugnant white supremacist theories. Lanier informs Harvard of her lineage but is thwarted by “academic arrogance.” Nevertheless, she persists. A phone call to the family that enslaved her relatives leads to a powerful moment, with Lanier “sitting in a chair hand-carved by” Prince Thompson, another ancestor. She also collaborates with descendants of Agassiz on a public appeal for Harvard to surrender the images, which the school published on a textbook cover and projected on a large screen at an academic conference, while denying similar requests from Lanier. Her 2019 lawsuit didn’t force Harvard to give up the daguerreotypes, but in a decision by Massachusetts’ highest court, justices cited strengths in Lanier’s claim and ruled that she could sue Harvard for emotional distress. This “marked the first time,” Lanier writes, “that a descendant” of enslaved people was “afforded the opportunity to seek accountability from an American institution for the atrocities caused by slavery.”
A stirring first-person account of holding powerful institutions responsible for abetting slavery.Pub Date: Jan. 28, 2025
ISBN: 9780593727720
Page Count: 288
Publisher: Crown
Review Posted Online: Dec. 13, 2024
Kirkus Reviews Issue: Jan. 15, 2025
PERSPECTIVES
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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