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WE ARE HERE

A powerful narrative about Black yesterdays that have built the foundation for all our tomorrows.

The creators of All Because You Matter (2020) collaborate once more, assuring children of the Black diaspora of their rich cultural heritage.

Charles’ moving free-verse text, addressed to a brown-skinned child wearing a colorful headband, their hair in two puffballs, argues that though so many contributions of Black people have gone unacknowledged, “we have always been heroes.” When it is “your turn / to rule the world, / people will be amazed / and they will question / the power of you.” But, Charles stresses, they should neither marvel nor doubt, because Black people have always been here and have always been amazing. In an illustrator’s note, Collier mentions that the row houses throughout echo those that Georgia artist John Biggers painted of his childhood home. Row houses grace the endpapers and serve as the backdrop for many scenes showcasing Black people’s contributions to music, activism, fashion, politics, food, astronomy, and more, not just throughout American history, but world history as well. Many of the people Collier illustrates are recognizably famous, like Martin Luther King Jr., after whom more than 1,000 streets have been named, and others ought to be, like Chicago blues musician Howlin’ Wolf. Collier’s signature painterly collage and watercolor images abound in color, texture, and patterning that beautifully reflect Black diversity. (This book was reviewed digitally.)

A powerful narrative about Black yesterdays that have built the foundation for all our tomorrows. (biographical notes, glossary, author’s notes) (Picture book. 3-8)

Pub Date: Jan. 3, 2023

ISBN: 978-1-338-75204-5

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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READ ALL ABOUT IT!

Visually sweet, though hampered by disjointed storytelling.

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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