Perfect for STEAM-infused reading and for grasping the value of serendipity.
An introduction to the life and innovations of William Henry Perkin (1838-1907), an English chemist who tried to find a cure for malaria but instead produced “purple for the people.”
Brown and Dunn establish context by showing a cloth maker’s dismay when Queen Victoria demands a crown of purple velvet: The challenge of producing it was one of the reasons the color was reserved for the rich and royals. Phoenicians had extracted the mucus of mollusks while the English soaked fabric in bark and berries, then urine to make it colorfast. Enter Perkin, son of a London carpenter. His professor at the Royal College of Chemistry, searching for an antidote during a malaria epidemic, gave Perkin a formula to attempt synthesizing quinine from coal tar. While the experiment failed, Perkin refined the scientific methodology and documentation and created—in a last-minute do-over—a gorgeous new color. The narrative is brisk, alliterative, and full of well-chosen details. Children will be intrigued at the ingenious and sometimes gross aspects of dye-making. In compositions brimming with pattern, Sanna controls an orderly palette, allowing the new hue to pop. Bright droplets are a design element throughout, framing key words, emanating from Perkin’s attic laboratory, squirting off the page to celebrate his lasting impact. The conclusion and extraordinarily rich author’s note and period visuals emphasize the White Englishman’s contributions to the fashion, medical, and scientific communities.
Perfect for STEAM-infused reading and for grasping the value of serendipity. (bibliography, experiment) (Picture book/biography. 6-12)Pub Date: Oct. 6, 2020
ISBN: 978-1-368-03284-1
Page Count: 56
Publisher: Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
An important and inspiring tale well told.
This biography of the “father of Black History,” Dr. Carter G. Woodson, highlights experiences that shaped his passion.
Carter was born after the Civil War, but his parents had been slaves, and he grew up hearing the stories of their lives. With six siblings, Carter experienced lean times as a boy. Carter’s father, who couldn’t read or write, had Carter read the newspaper aloud. As a teenager, Carter had to work to help his family. In the coal mines, he met Oliver Jones, a Civil War veteran who opened his small home to the other men as a reading room. There, Carter once again took on the role of reader, informing Oliver and his friends of what was in the paper—and then researching to tell them more. After three years in the mines, he moved home to continue his education, eventually earning a Ph.D. from Harvard, where a professor challenged him to prove that his people had a history. In 1926 he established Negro History Week, which later became Black History Month. Hopkinson skillfully shapes Carter’s childhood, family history, and formative experiences into a cohesive story. The soft curves and natural palette of Tate’s illustrations render potentially scary episodes manageable for young readers, and portraits of historical figures offer an opening to further discovery. The incorporation of newsprint into many page backgrounds artfully echoes the title, and the inclusion of notable figures from black history reinforces the theme (a key is in the backmatter).
An important and inspiring tale well told. (author’s note, illustrator’s note, resources, bibliography) (Picture book/biography. 6-10)Pub Date: Feb. 1, 2019
ISBN: 978-1-56145-934-6
Page Count: 36
Publisher: Peachtree
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A substantive and affirming addition to any collection.
An impressive array of names, events, and concepts from Black history are introduced in this alphabet book for early-elementary readers.
From A for anthem(“a banner of song / that wraps us in hope, lets us know we belong”) to Z for zenith(“the top of that mountain King said we would reach”), this picture book is a journey through episodes, ideas, and personalities that represent a wide range of Black experiences. Some spreads celebrate readers themselves, like B for beautiful(“I’m talking to you!”); others celebrate accomplishments, such as E for explore(Matthew Henson, Mae Jemison), or experiences, like G for the Great Migration. The rhyming verses are light on the tongue, making the reading smooth and soothing. The brightly colored, folk art–style illustrations offer vibrant scenes of historical and contemporary Black life, with common people and famous people represented in turn. Whether reading straight through and poring over each page or flipping about to look at the refreshing scenes full of brown and black faces, readers will feel pride and admiration for the resilience and achievements of Black people and a call to participate in the “unfinished…American tale.” Endnotes clarify terms and figures, and a resource list includes child-friendly books, websites, museums, and poems.
A substantive and affirming addition to any collection. (Informational picture book. 6-11)Pub Date: Dec. 8, 2020
ISBN: 978-1-5235-0749-8
Page Count: 64
Publisher: Workman
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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