Next book

PEARLY EVERLASTING

A campfire story about a girl whose brother is a bear becomes a warmly enchanting novel.

Well-wrought touches of the fantastic enhance this tale of a girl growing up in a Canadian logging camp a century ago.

About the time that Pearly Everlasting Hazen—named for a wildflower—is born in a remote logging camp in New Brunswick in 1920, her father, the camp cook, finds a tiny, orphaned bear cub in an ice-rimmed burrow. He brings the creature home, and his wife nurses her infant daughter and the cub together. As far as Pearly Everlasting and her family are concerned, Bruno is her brother, even as he grows big enough to unsettle strangers. The logging camps where the Hazens live are harsh places; if the work doesn’t kill someone, the weather might. Pearly Everlasting’s mother, Eula, is a healer who tends workers’ broken bones and other wounds, while her husband, Edon, keeps everyone fed. Pearly Everlasting and Bruno—and human older sister Ivy—grow up in this nurturing nest, attuned to the natural world and pretty much blissfully unaware of what’s beyond. Their only outside contact is a woman they call Song-catcher, an ethnologist who, with her companion, Ebony, travels around with cumbersome recording equipment to document folk music and tales by people like Eula. The eventual snake in this childhood paradise is a new camp boss, a bully named Swicker, who arrives with a couple of minions and soon has Bruno in his sights. An attempt to bear-nap Bruno and sell him to an animal trader is foiled with the help of Song-catcher and Ebony, but later girl and bear, teenagers by now, stumble upon a murdered body, and Bruno is blamed and confiscated. Pearly Everlasting’s harrowing quest to get him back, on foot through the winter woods and then in a town that’s a complete mystery to her, is paralleled by the search for the pair by a young man named Ansell, a worker at the camp whose face is strangely webbed with silver scars, the result of a lightning strike. Armstrong, who has published five books of poetry and two previous novels, tells their tale in lyrically striking prose and makes its fairy tale elements work by grounding them in the grim realities and stunning beauties of life in a Depression-era logging camp.

A campfire story about a girl whose brother is a bear becomes a warmly enchanting novel.

Pub Date: Oct. 8, 2024

ISBN: 9780063396142

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 136


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Awards & Accolades

Likes

  • Readers Vote
  • 136


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 58


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • Booker Prize Winner

Next book

THE TESTAMENTS

Suspenseful, full of incident, and not obviously necessary.

Awards & Accolades

Likes

  • Readers Vote
  • 58


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • Booker Prize Winner

Atwood goes back to Gilead.

The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.

Suspenseful, full of incident, and not obviously necessary.

Pub Date: Sept. 10, 2019

ISBN: 978-0-385-54378-1

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: Sept. 3, 2019

Kirkus Reviews Issue: Sept. 15, 2019

Close Quickview