A searing portrait of self-discovery; soulful and captivating.
Eighteen-year-old Daya tries to navigate life after the sudden deaths of her parents in a car accident.
Daya Wijesinghe is familiar with pain and finds comfort in it. Pain is how she copes with her feelings, and the bruises she gets from skateboarding are her way of keeping the hurt on the surface. Upon being introduced to roller derby by her friend Fee, Daya is fascinated by the sport that to her seems driven by brute strength—until she ventures in further. While roller derby gives Daya the external bruises she wants, she discovers a place of deep reckoning and healing through this sport as well. Boteju writes with acumen about the roller-coaster ride of being a teenager. Daya is both a highly frustrating and deeply engaging character, with a strong character arc. Readers get to see her many shades, both in terms of her personality (hard shell plus vulnerability) and her bruises (physical, including from self-harm, and psychological). Daya is of Sri Lankan descent and queer. Some secondary characters are gender-nonconforming and queer; Fee uses they/them pronouns, and their girlfriend is deaf and uses ASL. The backmatter includes a fascinating brief history of roller derby, focusing on the strong and inclusive community that has grown up around it.
A searing portrait of self-discovery; soulful and captivating. (Fiction. 14-18)Pub Date: March 23, 2021
ISBN: 978-1-5344-5502-3
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK REVIEW
BOOK REVIEW
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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