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THE SKELETON CUPBOARD

THE MAKING OF A CLINICAL PSYCHOLOGIST

A lucid and compassionate memoir.

A British mental health practitioner and media personality’s absorbing account of the years she spent as a clinical psychologist-in-training.

In 1989, Byron, then a graduate student at University College London, began the training necessary to qualify as a licensed clinical psychologist. Over the next three years, she worked in hospitals, clinics and private practices where she met individuals whose stories helped “to establish [her] thinking as a doctor.” Among the most influential was her fierce, no-nonsense female mentor, Chris Moorhead. The author often found herself at bitter odds with this woman, who relentlessly pushed Byron to move beyond her own doubt and insecurity. The most compelling portraits, however, are those of the clients. In remembering the early days of her training, the author recalls the story of her first serious case, a man who seemed to be suffering from panic attacks but was actually a knife-wielding sociopath. This encounter, along with a case that soon followed involving a suicidal 12-year-old, terrified Byron and led to a temporary rupture with her mentor. While Chris refused to let Byron give in to her fears, she also refused to offer nurturing and support. In the meantime, the author fought to stay emotionally balanced and maintain her professional bearing around clients she especially loved, including a brilliant young anorexic woman struggling with an overly developed sense of responsibility for her parents and an AIDS-infected man trying to cope with his own imminent demise. Only gradually did the author learn to “put [her] own ‘shit’ aside” for the greater good. In the end, Byron realized that the inner journeys in which she participated with her clients were far more personal than she ever knew. By working with each person, she was in fact moving from “chaos to clarity” in her own mind and heart.

 A lucid and compassionate memoir.

Pub Date: April 7, 2015

ISBN: 978-1-250-05265-0

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Dec. 14, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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