by Tanya Rosie ; illustrated by Chuck Groenink ‧ RELEASE DATE: July 19, 2022
Cozy and sweet but not too drippy.
A quiet celebration of a mother-child bond.
On a special day, a child is nudged awake by their mother in a modest bedroom. The trust between the child and their parent is immediately clear as Mum’s “strong and steady” hand tugs them toward the bus stop. The pair, who have light skin and dark hair, refreshingly use public transit to access an idyllic greenspace that is devoid of other people. Gentle greens, blues, and browns are punctuated by the warm red dots of mulberry "jewels" in the tree. Full-page illustrations are balanced with gently rounded rectangular panels and negative space. When the day turns rainy, Mum takes it in stride, and the pair use the tree for shelter. The lone tremble of drama occurs when Mum climbs up the tree and out of sight, which causes the child to call out. The lack of other characters strengthens the idea that Mum is the whole world to the child and that they are present in their experiences together. The book also offers a positive representation of a one-caregiver household and a narrative of abundance instead of scarcity. (This book was reviewed digitally.)
Cozy and sweet but not too drippy. (Picture book. 4-6)Pub Date: July 19, 2022
ISBN: 978-1-5362-2035-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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by Tanya Rosie ; illustrated by Chuck Groenink
by Hallee Adelman ; illustrated by Sandra de la Prada ‧ RELEASE DATE: Oct. 1, 2020
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one.
Brock may be dressed like a superhero, but he sure doesn’t feel like one, as social anxieties threaten to rain on his fun .
Juan’s superhero-themed birthday party is about to start, but Brock is feeling trepidatious about attending without his brother as his trusty sidekick. His costume does not fit quite right, and he is already running late, and soon Brock is “way past worried.” When he arrives at the party he takes some deep breaths but is still afraid to jump in and so hides behind a tree. Hiding in the same tree is the similarly nervous Nelly, who’s new to the neighborhood. Through the simple act of sharing their anxieties, the children find themselves ready to face their fears. This true-to-life depiction of social anxiety is simply but effectively rendered. While both Nelly and Brock try taking deep breathes to calm their anxieties without success, it is the act of sharing their worries in a safe space with someone who understands that ultimately brings relief. With similar themes, Brock’s tale would make a lovely companion for Tom Percival’s Ruby Finds a Worry (2019) on social-emotional–development bookshelves. Brock is depicted with black hair and tan skin, Nelly presents White, and peers at the party appear fairly diverse.
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one. (Picture book. 4-6)Pub Date: Oct. 1, 2020
ISBN: 978-0-8075-8686-0
Page Count: 32
Publisher: Whitman
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Hallee Adelman ; illustrated by Patrick Corrigan
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by Hallee Adelman ; illustrated by Karen Wall
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by Hallee Adelman ; illustrated by Josep Maria Juli
by Lindsay Ward ; illustrated by Lindsay Ward ‧ RELEASE DATE: Dec. 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Lindsay Ward ; illustrated by Lindsay Ward
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by Lindsay Ward ; illustrated by Lindsay Ward
BOOK REVIEW
by Lindsay Ward ; illustrated by Gabrielle Grimard
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