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PSYCHEDELICS, ALIENATION, AND CHANGE

A kaleidoscopic fever dream of ideas, idolatry, and lots of drugs: uniquely produced and curiously intoxicating.

A drug-soaked excursion through addiction, psychedelics, and fascination with a visionary psychonaut.

In his first full-length nonfiction book, Taiwanese novelist and poet Lin (Taipei, 2013, etc.) probes deep to expose his struggles with drug addiction and isolating depression, two suffocating encumbrances that threatened to extinguish his artistic creativity and even his life. In this peculiar yet addictive patchwork of memoir, biography, and meditative self-analysis, the author explores how studying pro-psychedelic mystic Terence McKenna (1946-2000) liberated him from an amphetamine, psilocybin mushroom, and opiate-fueled “zombielike” state while finishing the final draft of his previous novel. Lin’s fixation with McKenna forms the core of the narrative and the center around which a lot of his life-altering revelations are based. The author briskly escorts readers through McKenna’s nomadic life as a self-proclaimed “hardheaded rationalist,” and he explores his visions, public talks, and imaginative interpretations with encyclopedic thoroughness. Both Lin and McKenna shared a preoccupation with psychedelics, but the author’s own drug history also encompassed Adderall, methadone, MDMA, and opiates. Lin’s depiction of his magic mushroom and DMT trips are strikingly vivid. Over time and with varied use, those two psychoactive indulgences proved the most intensely transformative for both Lin and McKenna. Lin coherently challenges the sense behind labeling psychedelics as controlled substances, agreeing with McKenna’s declaration that the government made them illegal because they dissolve “opinion structures and culturally laid down models of behavior and information processing. They open you up to the possibility that everything you know is wrong.” Lin also writes thoughtfully about cannabis, “the plant I’ve had the closest relationship with so far in my life.” A decade after McKenna succumbed to cancer, Lin visited his guru’s former wife, which he recounts in a bizarre epilogue that is as buzzed, foggy, meandering, and eccentric as the rest of this unconventional memoir.

A kaleidoscopic fever dream of ideas, idolatry, and lots of drugs: uniquely produced and curiously intoxicating.

Pub Date: May 1, 2018

ISBN: 978-1-101-97451-3

Page Count: 320

Publisher: Vintage

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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