A beautiful and important book about climate change featuring those who are most affected by it.
Dairman draws inspiration from the Rabari people, an Indigenous group of nomadic herders and shepherds that live in northwest India, to showcase how two children live and thrive in the era of climate change.
Clipped couplets imagine a nomadic desert girl and a village-dwelling boy and how their lives intersect when the former’s family travels in search of water and the latter’s family seeks to escape it. Paneled pages compare and contrast the children’s experiences. “Patterned veil. / Covered hair” depicts the girl’s mother with a flowing veil and the boy’s father winding a turban on. “Trek for water. / Head to school” reveals two different journeys. Readers see how extreme weather threatens both ways of life before, at the end of the book, both children find higher ground and dance together: “Thirst quenched. / Dry and sound. // Round the fire, / songs of joy.” Bangalore-based Sreenivasan’s extensive research is evident in her saturated, detailed illustrations of families, plants, animals, and nomadic and village life. Dairman’s author’s note provides context and emphasizes that extreme dry and wet weather “will continue to put…lives…in very real danger.” Text and illustrations work beautifully in concert: Desert and monsoon scenes each have a distinctive color palette—golds, rusts, and reds; violets, greens, and blues—and variations in page composition and panel placement create necessary narrative tension.
A beautiful and important book about climate change featuring those who are most affected by it. (Picture book. 4-8)Pub Date: May 12, 2020
ISBN: 978-0-525-51806-8
Page Count: 32
Publisher: Putnam
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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