by Taro Miura ; illustrated by Taro Miura ‧ RELEASE DATE: May 12, 2015
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji,...
A geometric kaleidoscope of digital images and collage forms the bones of this winsome tale.
The king and queen have no children, but they love and care for the flowers in their garden. One night, the king dreams of a white bird, who tells him he will find a princess in his garden but that she is under a wicked spell. The next day, the king finds a tiny, fully formed girl child, small enough to sleep on a feather. But the next day, she needs a ring box and the day after that, a teacup. She keeps growing and growing until she is too big for the castle! In the highest, biggest tower (it’s a foldout), she keeps growing until the tower itself begins to break apart. But the king sees a seed in her belly button through a (miraculously well-placed) tower window. He climbs the crumbling tower and pops the seed out, and his daughter is restored! (She is still quite tall indeed; her parents come only to her waist.) The figures are made of circles, triangles, and half moons; the princess is blonde, while her parents have black hair, and the many flowers are rendered in splashy patterns. And the seed? The king and queen plant it, and it becomes a field of sunflowers, which adorn the final page and the endpapers.
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji, and that Japanese fondness for cuteness, kawaii . (Picture book. 4-8)Pub Date: May 12, 2015
ISBN: 978-0-7636-7459-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 22, 2015
Kirkus Reviews Issue: March 15, 2015
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 4, 2025
A flavorful call to action sure to spur young introverts.
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New York Times Bestseller
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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