by Taro Miura ; illustrated by Taro Miura ‧ RELEASE DATE: May 12, 2015
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji,...
A geometric kaleidoscope of digital images and collage forms the bones of this winsome tale.
The king and queen have no children, but they love and care for the flowers in their garden. One night, the king dreams of a white bird, who tells him he will find a princess in his garden but that she is under a wicked spell. The next day, the king finds a tiny, fully formed girl child, small enough to sleep on a feather. But the next day, she needs a ring box and the day after that, a teacup. She keeps growing and growing until she is too big for the castle! In the highest, biggest tower (it’s a foldout), she keeps growing until the tower itself begins to break apart. But the king sees a seed in her belly button through a (miraculously well-placed) tower window. He climbs the crumbling tower and pops the seed out, and his daughter is restored! (She is still quite tall indeed; her parents come only to her waist.) The figures are made of circles, triangles, and half moons; the princess is blonde, while her parents have black hair, and the many flowers are rendered in splashy patterns. And the seed? The king and queen plant it, and it becomes a field of sunflowers, which adorn the final page and the endpapers.
Originally published in Japan, the story has an offbeat sensibility that may particularly appeal to lovers of anime, emoji, and that Japanese fondness for cuteness, kawaii . (Picture book. 4-8)Pub Date: May 12, 2015
ISBN: 978-0-7636-7459-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 22, 2015
Kirkus Reviews Issue: March 15, 2015
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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